Science Fiction – Page 92

January 29, 2015January 28, 2015

Orbital book 4: Ravages

By Serge PellÃ© & Sylvain Runberg, translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-088-7

Serge PellÃ© & Sylvain Runberg’s mismatched pair of Diplomatic Peacekeeper agents return in the conclusion of the sinister saga begun in Orbital: Nomads, subtly tweaking and deftly twisting that cunning epic of far-flung, futuristic political intrigue into a full-on horror story of relentless alien terrorâ€¦

What you need to know: After decades of pariah-status and exclusion, 23^rd century Earth finally joined a vast Confederation of interstellar civilisations, despite grave and abiding concerns about humanity’s aggressive nature and xenophobic tendencies shared by many of the member species. On Earth the feeling was largely mutualâ€¦

Prior to the humanity’s induction a militant â€œIsolationistâ€ faction had graduated from politics to horrific terrorism: committing atrocities both on Earth and distant worlds where mankind had already developed colonies and bases. Ultimately they failed to prevent humanity’s inclusion in the pan-galactic union and were sidelined in global politics.

Neither they nor the ill-will they fostered really went awayâ€¦

One particular Confederation worry was the way humans had treated the alien civilisation of the Sandjarrs, whose world was invaded in Earth’s all-consuming drive for territory and exploitable resources. The subsequent atrocities almost exterminated the stoic desert dwellersâ€¦

The vast bureaucracy of the Interworld Diplomatic Office works through operatives assigned in pairs to troubleshoot throughout the galaxy, defusing crises before they can become flashpoints of violence, and recently IDO’s first human recruit Caleb Swany had been surprisingly teamed with Sandjarr Mezoke Izzua: a situation clearly designed as a high-profile political stunt.

So was their initial mission: convincing an Earth mining colony on the moon Senestem to peacefully surrender a profitable planetary industry to the aliens who actually own the satellite it was situated on. Overcoming outrageous odds and problems, the unlikely team of rookies resolved the issue in true diplomatic manner with a minimum of casualties and nobody really happy or satisfiedâ€¦

Released in France in 2010, Orbital: Ravages is the fourth album released by Cinebook and picks up as Caleb and Mezoke find a simple state function is rapidly devolving into an interspecies crisis…

The Galactic Great-and-Good are on Earth to confirm the end of Human/Sandjarr hostilities in a series of spectacular Reconciliation Ceremonies, but the political glad-handing is in danger of imploding after Kuala Lumpur’s human fisherman clash with a hitherto unsuspected enclave of star-spanning cannibalistic alien gypsies known as the Rapakhunâ€¦

One of the greatest benefits of induction into The Confederation has been the infusion of alien technologies which have cleansed and reinvigorated the gravely wounded ecosystem of long-abused and much-polluted Earth. Now, however, the newly restocked, abundant seas and mangrove swamps around Malaysia are blighted by the mass extinction of millions of valuable fish. The humans blame the uninvited aliens, requiring Swany and Mezoke – accompanied by Caleb’s old mentor Hector Ulrich (instrumental in brokering Earth into the Confederation) – to forcefully intervene; promising all aggrieved parties that the truth will be found and shared.

This might be tricky: much of mankind is still anti-alien, and local economies are fragile, whilst the Rapakhun are apparently no innocent angels. Many space civilisations despise them. The stellar nomads are flighty wanderers who go where they please and refuse to be represented in or on Confederation Councils.

Moreover, all the cosmic bigwigs on Earth are only concerned with their precious Reconciliation Ceremonies, looking good and validating their controversial decision to admit Earth to the Civilised Worlds of the galaxyâ€¦

Whilst Caleb and Mezoke are fully occupied with the freshly-arrived delegation of Sandjarr dignitaries, fish are still dying and when human fisherman get too close to the agreed-upon neutral zone they are suddenly exterminated, outraging many watching members of the Malaysian Navy.

Although Caleb attempts to downplay and even suppress the concatenation of bad news in hope of keeping the Ceremonies alive the slaughter of fishermen provokes a â€œpatrioticâ€ clique in the Navy peacekeeping force to look the other way when the locals decide to deal with the nomads once and for allâ€¦

The riots and bloodshed are appalling and the IDO agents realise they need to know more about the Rapakhun: someone needs to visit their last port of call and see what the nomads are really capable ofâ€¦

The story resumes in the grimily cosmopolitan Shah Alam district of Kuala Lumpur where impoverished human and alien scrap-merchants work, salvaging materials and tech from defunct starships. As tensions rise everywhere, one of the greedy toilers makes a grisly discovery and dies horribly in exactly the same manner as the fishermen in the swampsâ€¦

Caleb meanwhile, over Mezoke’s protests, is in full-spin-control mode; weaving a pack of placatory lies to the journalists of uncounted watching worlds. Unable to leave Earth mid-crisis, the IDO agents have recruited enigmatic human star-pilot Nina and her secretly-sentient Neuronome ship Angus to canvas the distant world of Dehadato, last port of call of the nomadic Rapakhun, but before they can report anything a vast riot breaks out in the Shah Alam.

The Fishermen’s Quarter is ablaze, a war-zone rife with scared and angry humans and aliens, but when Caleb, Mezoke and Hector fly over the scene of destruction and looting they are brought down by rioters and have to fight their way outâ€¦

Thanks to IDO intervention, canny bargaining, judicious bribery by city officials and an unlikely detente between the extraterrestrial scrap merchants and ambitious new spokesman of the Fisherman’s Federation, the situation is soon damped down and all sides again tensely wait for answersâ€¦

On Dehadato Nina and Angus are exploring the Rapakhun’s last campsite and uncover scenes of horrific devastation, even as in Kuala Lumpur Confederation leaders are thinking about cutting their losses and cancelling the Reconciliation Ceremonies, terrified that the situation is fast becoming politically untenable.

It takes all of Caleb’s strident persuasiveness to convince them – and Mezoke – to continue the itinerary of events. However he only gets his first inkling that they might be right when he’s informed that a body as been found in the city, butchered in the same extreme and inexplicable manner as the fishermen in the swampâ€¦

Back on Dehadato, Nina and Angus have rescued a poacher from the folly of his actions in pursuing monstrous, colossal and protected Nargovals. As the SÃ¼lfir recovers he imparts snippets of information about the stellar nomads and an incredible beast which was here before the Rapakhun left.

The doughty hunter only tried for the unstoppable leviathans which killed his entire poaching team after first ensuring there were no more Varosash on the planet. They had apparently departed with the gypsy cannibalsâ€¦

Caleb has already concluded that the Rapakhun are behind all his problems, but as he stalks them in the Mangrove swamps, word comes from Nina that stops him in his tracks. It may already be too late though. At the biggest sports arena in the city, thousands of avid Speedball fans – human and not â€“ are packed together and reaching a fever pitch of excitement, unaware that a hideous invisible killer, the very essence of all mankind’s fear of alien monsters, is about to consume them allâ€¦

Can the disunited Caleb and Mezoke with the pitifully few allies they can call upon end the invisible and rapacious threat before it ends humanity?

Nina and the SÃ¼lfir think they have a plan. Risky and probably fatal, but a plan nonethelessâ€¦

Fast-paced, action-packed, gritty and spectacular, Ravages is pure space-opera, with delightfully complex sub-plots fuelled by political intrigue and a vast unexplored canvas tantalising readers at very moment.

One of the most beguiling sci fi strips of all time, Orbital is a delight every fan of the future should indulge inâ€¦
Original edition Â© Dupuis 2010 by Runberg & PellÃ©. All rights reserved. English translation Â© 2011 by Cinebook Ltd.

January 23, 2015January 22, 2015

Neomad Book 1: Space Junk

By Sutu & The Love Punks (Gerstalt Comics/Big hART)
ISBN: 978-1-922023-14-8

I have no first hand experience of the Australian Experience. Most of what I do know comes from movies, TV or Midnight Oil and Men at Work records.

â€¦And comics of course, ranging from the country’s 1950s DC reprints – both flimsy pamphlets and Christmas Annuals â€“ to their lengthy and venerable take on Lee Falk & Ray Moore’s strip icon The Phantom plus some few precious strips such as Southern Squadron and The Jackaroo (from homegrown superhero anthology Cyclone!) during the 1980s and 1990s when American Indie publishers went for hunting quality material from around the world to fill their empty pages.

Things are way better these days with outfits like Gestalt Comics producing superbly original graphic novels like Torn, Eldritch Kid and Vowels for international audiences, many with the unique flavour of the Land Down Under.

Now, in conjunction with Arts and Social Change organisation Big hART, cartoonist, illustrator and computer-designer Stuart â€œSutuâ€ Campbell has joined forces with a talented bunch of kids to produce a multimedia entertainment epic, the barest fraction of which comprises this deliriously engaging and anarchically excellent graphic novel.

The lads are all from Ieramagudu (Roebourne) on the edge of the Pilbara Desert, within the Murujuga National Park and Cultural Heritage Site.

The area is home to approximately one million petroglyphs dating back more than 30,000 years: a place of artistic expression and creativity for almost as long as mankind has existedâ€¦

Far more recently, Sutu and Big hART – as part of the Yijala Yala Project – have been teaching some of the kids growing up there computer-colouring techniques whilst the youngsters have been sharing their imaginations, enthusiasm and ideas. The collective result is Neomad, blending ancient indigenous customs and spirituality with dystopian futurism, eternal verities and the never-ending struggle for survivalâ€¦

Space Junk is the first part of a sci fi trilogy which opens as young Mav relates a fireside interview with his Maali – a paternal grandfather of great sagacity and insight. The oldster was telling the story of the boy’s birth whilst imparting the customs of their people until the night sky was suddenly lit by a falling star.

That’s good luck. Everybody knows that when a star falls at night it brings new lifeâ€¦

Elsewhere but nearby in 2076AD, a tech-smart tribe of youthful extroverts are out illegally tapping the water pipeline when they see a plummeting, blazing rocket booster burn across the heavens.

Jahmal, Edwin, Dan, Jarried, Stanley, Deshawn and the rambunctious rest of the self-appointed Love Punks are more interested in fun than profit and their piratical, good natured squabbling soon sets off an alarm. Panic quickly changes back to cocky determination and bravado so the creepy spybot which races in to determine what’s wrong is soon reduced to spare parts in their accumulated arsenal of recycled, repurposed junkâ€¦

The posse are all far less sanguine when the authoritarian cops dubbed the Segz steam in on hover platforms and give frantic chaseâ€¦

The helter-skelter pursuit careens across the wasteland, past a boy and his Maali sitting at a fire. The rush of wind portentously extinguishes the flames and Mav decides he’d better join his fellow Love Punksâ€¦

The high-speed chase roars deeper into the plains – annoying the heck out of assorted wildlife – and Mav catches up to them just as they reach the foot of a monstrous red rock plateau. Things look grim until someone has the bright idea to shove the power crystal from the sabotaged spybot into their faltering and overloaded hoverquad’s engineâ€¦

Suddenly hurtling up the vertical rock face and leaving the disgusted Segz far below, the Punks hit the plateau top in time to see the booster crash down and, ever curious, head over to explore.

Cooling the surprisingly intact debris with their purloined water the boys quickly realise that what they’ve got is not simple space debris. Etched onto the vehicle’s slowly cooling side is a strangely disturbing petroglyph similar to the thousands of age-old designs which can be found all over Murujugaâ€¦

To Be Continuedâ€¦

Raucous and riotous, this hell-for-leather rollercoaster of joyous fun is but the beginning of a colossal tale that will take the Love Punks to the ends of the universe to discover the secrets of everythingâ€¦

Crafted by Sutu with Senior Colourist Haw Kong and featuring contributions from Junior Colourists – and actors – Alison Lockyer, Ashton Munda, Brodie Tahi Tahi, Corbyn Munda, Dannette Wilson, Eric Wedge, Jahmal Munda, Jarried Ashburton, Jordan Coppin, Layla Walker, Maverick Eaton, Max Coppin, Nathaniel Edwins, Sidney Eaton, Tonina Smith, Troydan Long, Vynka Parker, William Eaton and Woedin Wilson, the book comes with a section of photo-features including a boisterous introduction to the real Love Punks, some facts about Murujuga National Park, a glossary of words from the Aboriginal Yindjibarndi and Ngarluma languages (which pepper the text) plus plugs for Book 2: The Last Crystal, the award-winning Love Punks interactive video game, the live-action films and documentariesâ€¦

Worthy, impressive and above all else tremendously entertaining, this is a book kids will love and want to be part of for years to come.
Â© 2013 Big hART.

January 21, 2015February 20, 2015

Oculus

By Luke Melia, Vincent Smith, David Anderson & various (Tabella Publishing)
ISBN: 978-1-50276-589-5 Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â eBook ASIN: B00IC4EQJ2

As I’m sure you know by now, I’m a huge advocate of comics creators with the drive and dedication to take control of their own destinies. Late last year I reviewed a superbly written graphic horror tale called The White Room of the Asylum by Luke Melia and a coterie of artists which utterly amazed and impressed me.

Now with a chameleonic, Iain Banks-like shift of genres the indie artistic entrepreneurs are back – specifically writer/letterer Melia, illustrator Vinny Smith and colour-artist David Anderson – with a distinctly disturbing sci fi cop drama that is every bit as gripping and smartâ€¦

By 2027 the world has been completely altered by a social media innovation of astounding power and devastating simplicity.

Oculus sells an implanted chip which allows users to record and/or share in real-time whatever they’re seeing and hearing. The service connects with any or all other possessors of the implant and the company claims that to comprise most of the planet.

Live streaming intimate moments of an individual’s everyday life can be with one person, a selection of friends and acquaintances or the entire world. The facility has completely changed every aspect of society.

It has especially transformed the law and policing. It’s really hard to claim innocence if the victim has shared you committing the crime with thousands of viewers and the Oculus mainframe has a record of you doing itâ€¦

Police forces are more tech resource teams, video researchers and IT bods than boots-on- the-ground coppers – except for the bellicose, tooled-up, OTT tactical teams designated SABU (Special Armed response and Bomb disposal Unit) – so feckless young graduate Shane Edwards‘ first day in the Major Crimes Department of the New Oxford Constabulary is something of a letdown.

He’s already having a tragic life. Despite his being the son of the Mayor – who had to very blatantly pull strings to get him into the police – his best friend (he so wants her to be more) and Oculus intimate Emma Hudson is going through hell because her sister is going to jail.

It’s not official yet but Lauren was observed killing her cheating boyfriend in full view of an enrapt and aghast global audienceâ€¦

After meeting department boss Alan Campbell and the shockingly small team of detectives, Shane is swiftly dubbed ‘Another Girl in the Office’ by astonishingly abrasive colleague Jane. Dogsbody Chris seems okay but the new kid doesn’t even meet old lag Jeff who is supposed to be his mentor and partnerâ€¦

That introduction only comes in the middle of the night when the grizzled and rather unconventional old plod turns up on the doorstep to drag him to a crime scene emergency. He won’t even let Shane change out of his pyjamas and slippersâ€¦

Incident reporting has also been revolutionised by Oculus. Why wait for a scream or a phone call when most crimes are seen by somebody somewhere as they happen; be they perp, witness, victim or even police officerâ€¦?

This particular â€œShoutâ€ is for a grotesquely bloody murder picked up all over the Oculus network, but by the time they arrive on scene, the story is already staring to unravel.

For starters, the girl seen being repeatedly stabbed, screaming her lungs out and expiring is Isobel Bendis, who slashed her wrists and died weeks earlier – and Jane should know: she was the officiating officer and attended the funeral a fortnight previouslyâ€¦

Ascertaining that the broadcast was faked, Jeff employs a particularly cool piece of kit called a Repeat Torch which illuminates the outlines of living bodies on solid objects such as wallsâ€¦ just like electromagnetic Luminolâ€¦

The hazy blue rays show two living persons – presumably the grisly, prankish fraudsters – manufacturing the body dump. Following the ghostly trail leads Shane and Jeff through the sewers and into the underground transit system, where the gobsmacked coppers realise at last that they been played from start to finish by some very clever individualsâ€¦

The startling events of Oculus are rendered in full colour and cunningly augmented with a wealth of satirical ads for such items as the voyeuristic ‘Extreme Jobs’ site, ‘Wild-Sight’, ‘The Oculus Cloud‘, ‘Life in Third Person’ and decision-making app ‘Indie-Sysiv’ – all concocted by Luke & Vivienne Melia, Vinny Smith, David Anderson, Michael Kennedy, Christian David Navarro, Jenna Kyle, James Smith, Bobby PeÃ±afiel and Roel S. Palmaira.

Key background information is provided by a series of faux magazine interviews with the social revolution’s inventor Alan Jensen (designed and illustrated by Ephraim Zev Zimmerman) and following the first of these – ‘The Origins of Oculus’ – the saga resumes with the entire Major Crimes unit – all five of them – reviewing events.

Cliff has established that the â€œmurderâ€ broadcast was recorded, not live, and sent from the username â€œDolosâ€, tagged with a large variety of terms such as â€œFreeâ€, â€œSexâ€, â€œStar Trekâ€ and â€œAnimeâ€ all cunningly designed to catch the eye of the widest possible audienceâ€¦

Unfortunately due to budget constraints Campbell can’t sanction a costly activity report from the Oculus Corporation for what looks like a nasty student prank. Still smarting from looking like a fool and being seen trudging through sewers in pyjamas and tiger slippers, Shane vigorously disagrees. He argues that whoever did this is organised, meticulous, capable of fooling everybody who saw into believing it was realâ€¦ and live. Dolos also had no problems digging up and stealing a corpse to carry it offâ€¦

Campbell relents and agrees to let Shane and Jeff continue to work on it as long as costs stay down: after all, these days there simply isn’t that much work for detectives to doâ€¦

Jeff has been in the force for a very long time and knows lots of strange people. Thinking one of them might have a handle on the matter, he drags his excitable understudy to a basement flat to meet inventor and hacker Bentley, a most peculiar individual clearly long off his meds and living in a wonderland of paranoia and bizarre hand-made devicesâ€¦

‘0.4% Chance It Could Destroy The World’ sees the first lead found as the batty boffin suggests back-street Oculus implants and breaks into the high security Oculus Corporation database records.

Armed with Dolos’s account inception date and the enigma’s Friends List, the dynamic duo hit the quiet streets of New Oxford where Jeff suggests trying a far more traditional method of finding things outâ€¦

Fat Maisey is a low-level street rat and if anyone knows about illegal Oculus implants he will. Sadly the chase after the little weasel only leads our heroes into an armed ambush and ultra-violent counter-operation involving the gun-toting gung-ho grunts of SABUâ€¦

Barely escaping with their lives Shane and Jeff head back to the station whilst elsewhere two conspirators bicker and agree to speed up the pace of their planâ€¦

Still felling out of his depth, Shane talks things over with â€œjust friendsâ€ Emma before going out on a date with old college acquaintance Anna Rice. They end up in bed but since Anna’s idea of having a great time is being seen getting off by hundreds of strangers, close friends and especially herself, Shane’s night does not have a happy endingâ€¦

Following another Jensen interview (‘The Origins of PADs and Broadcasting’) the next chapter ‘How Could I Ever Truly Respect Her?’ opens with the boy wonder getting some well deserved ragging from his mentor.

Even Shane’s mum tuned in to the open broadcast and he is – for the third day running – the laughing stock of the New Oxford Constabulary. At least Jeff is amused enough to share some of his own tragic personal history, but inexplicably Emma seems furious with the bewildered newbieâ€¦

Events suddenly overtake the mental self-flagellation when Campbell calls them all in to a meeting which also includes members of Operations and Counter-terrorism divisions. All assembled are advised to tune in to a certain Oculus Drive path where Dolos is again broadcasting.

Definitely live this time, the mystery prankster is loading a gun in a public toilet somewhere in New Oxfordâ€¦

As the frantic law officials follow the progress of the gloved perpetrator through his – or her – own eyes, Shane recognises The Francis Castle Shopping Centre. Dolos, now sitting at the central fountain pretending to read a newspaper, adds more Tag-terms to the live feed: words like â€œFrancis Castleâ€, â€œmassacreâ€ and â€œhundreds deadâ€â€¦

The bigwigs freak out and SABU are dispatched, but Shane uses his own Oculus system to link with a stranger shopping at the mall. Convincing Gabrielle to walk over to the fountain, the police use her eyes but see that no one is there, even though Dolos’s open channel shows the chilling conundrum staring right back at the baffled teenager over his paperâ€¦

When the enigma’s eyes show him unwrapping a bomb and scrawling the word â€œKaboomâ€ on a wall, full-panic mode kicks in and masked-and-armoured SABU officers storm the centre, frantically evacuating the citizens and using the Dolos view to trail him to the bomb.

Once again there is nothing there, and the baffled cops are just turning to go when a colossal detonation rocks the buildingâ€¦

After Jensen’s ‘How Oculus Changed the Entertainment Industry’ a telling flashback of Shane and Emma at college leads to gloom and despondency in the present as the NOC reel in the aftermath of a disaster that has left 35 dead and hundreds injured.

Brain-fried from constantly reviewing the impossibly divergent Oculus recordings, Jeff and Shane go book-shopping to clear out the nonsensical but inescapable theory of an invisible maniac being behind all their woesâ€¦

The second-hand tome is for Jeff’s friend Bryce: a very smart lady who owned a research company which dabbled in camouflage and stealth technologies – although her real area of expertise was human cloning. ‘Oh, And By The Way, There Are Six Of Them’ sees Shane astonished to meet a sextet of his partner’s pal as they pursue the assorted blind alleys regarding becoming unseenâ€¦

However, as they all congregate to review the combined synched footage of numerous victims, one of Bryce does identify an anomaly who might just be an accomplice of Dolosâ€¦

As Shane tries to re-establish a personal life free of shame and snickering rozzers, the wheels of modern police procedure roll on and soon the mystery man in the recordings is identified and arrestedâ€¦ but only after a little illicit assistance from Bentleyâ€¦

The next Jensen feature deals with ‘Education and the Workplace’ after which Jeff and Shane conduct their first interview with terrified Rhys Ennis who, after literally spilling his guts, does so metaphorically and explains how the anonymous Dolos hired himâ€¦

The kid is clearly just a pawn and the NOC eventually let him go. It’s only later as Jeff tells his protÃ©gÃ© about Bryce that Shane realises in a burst of exasperated inspiration the simple trick the terrorists devised to cheat a system the entire world believes cannot be fooledâ€¦

As the police swing into action Shane heads home for much needed sleep, but is soon awakened by a live cast from Emma. From under her bed she – and Shane – can see a man with a gun stalking murderously through her houseâ€¦

Jeff arrives ahead of his partner and chases the assailant off and by the time Shane arrives there’s nothing to do but comfort the distraught Emma. His mentor however has cornered the intruder and with Shane scrupulously tuned in goes down in a hail of bullets in ‘You Can’t Unsee Shit Like That, No Pun Intended’â€¦

Bracketed by Jensen interviews ‘Oculus Health Implications & the Law’ and ‘The Future of Oculus’, the incredible truth behind a devilish and misconceived scheme finally comes out in ‘So What Went Wrong?’

However even as Jeff’s colleagues arrest Dolos and sweat the incomprehensible truth out of the last person Shane ever expected to see, events conspire to prove that nothing is as it seems and nobody can really be trustedâ€¦

Originally released as an eBook in February 2014, this full-colour printed trade-paperback edition is now available (complete with cover gallery by Anderson) delivering a superbly imaginative, compelling and suspenseful future crime yarn no lover of whodunits will want to miss.
Â© 2014 Luke Melia, Vinnie Smith and David Anderson. All rights reserved.

January 19, 2015

Orbital volume 3: Nomads

By Serge PellÃ© & Sylvain Runberg, translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-080-1

The truest thing that can be said about French science fiction is that it always delivers amazing style and panache even when the underlying premise might be less than original. In Serge PellÃ© & Sylvain Runberg’s beautiful Orbital series a seemingly-mismatched pair of Diplomatic Peacekeeper agents are deployed to quell incipient brushfire wars and mediate internal pressures within a vast pan-species intergalactic alliance, but the hoary â€œbuddy-movieâ€ format is a mere skeleton for eye-popping missions, star-spanning intrigue and intense personal interactions which are always are handled with deft wit and great imagination, never failing to carry the reader along in a blaze of fantastic funâ€¦

What you need to know: after decades of pariah-status galactic exclusion, Earth in the 23^rd century has finally been allowed to join a vast Confederation of interstellar civilisations, despite grave and abiding concerns about humanity’s aggressive nature and xenophobic tendencies.

A militant â€œIsolationistâ€ faction on Earth had moved from politics to horrific terrorism in the immediate run-up to formal induction, committing atrocities both on Earth and distant worlds where mankind had developed colonies and mining bases, but ultimately they failed to prevent humanity’s inclusion in the pan-galactic union.

Interworld Diplomatic Office operatives are assigned in pairs to troubleshoot throughout the galaxy, defusing crises before they can become flashpoints of violence. IDO’s first human recruit Caleb Swany had been surprisingly teamed with Sandjarr Mezoke Izzua, a situation clearly designed as a high-profile political stunt, as was their initial mission: convincing an Earth mining colony to surrender a profitable planetary mining industry back to the aliens who actually own the moon Senestem it was situated onâ€¦

Moreover, even though Earth is a now a member of the Confederation, with humans well placed in all branches of interstellar service, the Isolationist cause is still deeply cherished by many, needing only the slightest spark to reigniteâ€¦

Orbital: Nomads is the third epic album published by Cinebook (originally released in 2009 as ‘Nomades’), and picks up soon after Caleb and Mezoke’s hard-won solution was implemented.

The Galactic Great-and-Good have arrived on Earth to very publicly celebrate and affirm the end of Human/Sandjarr hostilities in a series of spectacular Reconciliation Ceremonies, but the political glad-handing looks to be upstaged by another interspecies crisisâ€¦

One of the greatest benefits of induction into The Confederation has been the infusion of alien technologies which have cleansed and reinvigorated the ecosystem of long-abused and much-polluted Earth.

Now however an incident has occurred in the newly restocked, abundant seas and mangrove swamps around Malaysia, with the sudden death of millions of fish leading to a bloody clash between local fishermen and an unsuspected enclave of a race of nomadic space-gypsies called The Rapakhunâ€¦

In Kuala Lumpur Caleb is reminiscing with his old mentor Hector Ulrich – instrumental in brokering Earth into the Confederation and Swany into the Interworld Diplomatic Office – when news arrives of the trouble.

This will be tricky: much of mankind is still anti-alien, and locale economies are fragile, whilst the Rapakhun are no innocent angels. Many space civilisations despise them: the stellar nomads are flighty wanderers who go where they please, refuse to be represented in or on Confederation Councils and worst of all, practice cannibalismâ€¦

Many Confederation races despise them and by the time Caleb and Mezoke arrive on scene events have escalated and tensions heightened to fever pitch as a committee of human fishermen face off against Rapakhun spokeswoman Alkuun.

The ancient tries to explain that the problem was an escaped Elokarn. The wanderers’ gigantic domesticated aquatic beasts have all been excessively agitated since arriving on Earthâ€¦

With the Diplomatic Agents assuring all parties that tests are being undertaken to ascertain not only why the Elokarn went crazy but also why the fish are dying off again, the situation seems contained, but when Alkuun invites the human guests to join in their holy consumption of a still-living and eager Rapakhun male they are physically revolted.

No amount of explanation that the willing, deeply spiritual and hugely prestigious sacrifice is meant to strengthen and invigorate the gods of Earth can offset the grisly sightâ€¦

Returning to Kuala Lumpur, Mezoke and Caleb are anxious. Although the Malaysian Navy are policing the area, the IDO agents know full well the tenuous trust humans place in any alien species, but their attention is unfortunately diverted by the sudden arrival of Caleb’s old friend Lukas Vesely.

The scrawny teen of his youth has become a hulking, good-natured member of Ulrich’s security force and seems very keen to relive the good old days. Caleb, of course, has no idea of Lukas’ usual duties, which include brutally and mercilessly dealing with any isolationist protests which might give visiting aliens the wrong impression about Confederate Earthâ€¦

In the mangrove swamps fish are still dying and when another group of fisherman get too close to the agreed-upon neutral zone Ulrich’s forces overreact and vaporise them, outraging many watching members of the Malaysian Navyâ€¦

Caleb and Mezoke are otherwise fully occupied as the delegation of Sandjarr dignitaries have arrived. The aloof and stand-offish nature of the guests of honour provoke Mezoke to surly silence, and reports from Senestem take the shine off their supposed triumphant solution whilst test results from the mangrove swamps all prove inconclusive. No contamination of any sort has killed the fish: the culprit is some unknown form of energyâ€¦

Caleb attempts to downplay and even suppress the concatenation of bad news in hope of keeping the Reconciliation Ceremonies alive over Mezuke’s objections until she reveals a shocking truth about her life before joining IDOâ€¦

The death of the fishermen meanwhile has reached the populace and a â€œpatrioticâ€ clique in the Navy peacekeeping force has colluded to look the other way if the fishermen want to deal with the nomads once and for allâ€¦

By the time the IDO agents learn of the incursion the appalling bloodshed has ceased and, wading through a site of unspeakable carnage, Caleb and Mezuke decide to split up. The rapidly destabilising situation on Earth must be carefully managed but most crucial is to send an urgent investigation team to the last world the Rapakhun visited and find out exactly what the wanderers are really capable ofâ€¦

To Be Continuedâ€¦

Fast-paced, action-packed, gritty space-opera with delightfully complex sub-plots fuelled by political intrigue and infighting elevates this tale to lofty and exotic heights, proving Orbital to be a series well worth watchingâ€¦
Original edition Â© Dupuis 2009 by Runberg & PellÃ©. All rights reserved. This edition published 2011 by Cinebook Ltd.

January 17, 2015January 16, 2015

Dirty Pair: Dangerous Acquaintances

By Toren Smith & Adam Warren (Manga Books)
ISBN: 978-1-900097-06-0 (UK edition)

In the fast and furious future of 2141AD, intergalactic proliferation of human civilisation has led to a monumental bureaucracy, greater corruption and more deadly criminals preying upon the citizens of the United Galactica.

Thus the constant need for extra-special Trouble Consultants: pan-planetary private paramilitary police employed by the 3WA (or Worlds Welfare Work Association) to maintain order in hotspots across the (sort-of) civilised universeâ€¦

Kei and Yuri are team #234, officially designated â€œThe Lovely Angelsâ€ after their sleek and efficient starship. They are lethal, capable and infallible. Whenever they are deployed, they strike fast and hard and never failâ€¦

However, the collateral damage they inevitably cause is utterly unimaginable and usually makes client worlds regret ever asking for their aid in the first placeâ€¦.

Much to the crisis agents’ disgust and chagrin, the ever-present media have dubbed them â€œThe Dirty Pairâ€ and any planetary government unlucky enough to need them generally regards them less as first choice and more a last resort â€¦

The concept was originated for light novels by Japanese author Haruka (Crusher Joe) Takachiho in 1985 before making the jump to TV, movie and OVA anime. Oddly there was no comics iteration until over a decade later. This situation prompted Adam Warren and Toren Smith of manga translation company Studio Proteus to approach independent publisher Eclipse Comics with an idea for a US comicbook miniseriesâ€¦

The result was Biohazards; a riot of light-hearted, manic murder and monstrous mayhem which was then swiftly collected in a brash and breezy graphic album. The reprintings from US franchise inheritor Dark Horse (and Manga Books in the UK) heralded a blistering run of wry and raucous adventures that still read as well today as they did when the Japanese comics experience was seen as a rare, quaint and exotic oddityâ€¦

In the follow-up Dangerous Acquaintances – originally released as a 5-issue miniseries from Eclipse between June 1989 and March 1990, before first being gathered into a trade paperback in 1991 – the catastrophically unlucky private sector peacekeepers are enjoying a spot of well-deserved downtime on planet Rocinante – a world riotously celebrating its 25^th year of independence – when soused-to-the-gorgeous-gills Kei spots an unwelcome but very familiar face…

‘Things Past’ explains that although free, single and over 21, the planet is in turmoil due to the imminent arrival of a host of dignitaries on experimental super liner â€œThe Lyraâ€ (one of only three vessels capable of jumping to warp within a planet’s gravity-well) and the increasingly desperate outrages of terrorist cell United Galactica/Free Rocinate.

None of that means anything to the drunken danger girl: all she can think about is getting her hands on a woman who once betrayed and nearly killed herâ€¦

Back when she and Yuri were mere trainee cadets they were constantly and humiliatingly surpassed in every discipline by Shasti. Their rival was a bioroid built by 3WA to be the ultimate Trouble Agent: a tetrad possessing a perfectly designed body and, thanks to multiple uploaded personalities, able to shift instantly between being the ideal warrior, detective, spy or social specialist, amongst others.

She never failed on any mission but there were worries that her schizoid mind-menu might have made her crazyâ€¦

Back in the present Kei refuses to calm down and chaotically pursues her target through massing crowds with the constantly complaining Yuri hot on her heels. As ‘Dangerous Acquaintances’ opens, they track Shasti across town and Yuri casts her mind back to their last mission with her, when they were all assigned to bring in a deadly sociopath named Lacombeâ€¦

On present-day Rocinante the totally-tanked pursuers catch up with the oblivious target at a shopping plaza in time to see her trading a briefcase with a suspicious-looking bearded stranger. Unfortunately, when they confront her, Shasti has lost none of her combat advantagesâ€¦

As the bioroid orders her accomplice to flee, Yuri’s mind flashes back to the mission when Shasti’s instability kicked in and she inexplicably proclaimed her love for the lethally compelling Lacombeâ€¦

The reverie is shattered as the planet’s Special Police storm in, brutally arresting the Trouble Agents whilst letting their meek-seeming â€œvictimâ€ go, and ‘Unquiet Zone’ finds the furious, sober and mortally hung-over operatives sprung simply because the cops need their cell for more provably-crazy UG/FR fanatics.

As Kei and Yuri hit the streets their fragile ears are bombarded with a public broadcast announcing the imminent arrival of the dignitary-stuffed, treasure-laden â€œLyraâ€ and, horrified, they realise where Shasti will strike, even if not what exactly she’s afterâ€¦

Whilst the determined pair are planning to sneak aboard the wonder-ship, in an opulent hotel room their despised foe is giving her band of revolutionaries a final inspirational pep-talk, but her minds are focused on the moment long ago when she and her team of Trouble Agents cornered Lacombe.

The mission was going perfectly until she switched sides, joining the insanely seductive terrorist and murdering all her comrades. Or so she thoughtâ€¦

On the Lyra, Yuri and Kei have endured all manner of hell, (barely) dressed as hospitality hostesses constantly groped by the great and good of many civilisations. The ruse has however allowed them to find Shasti’s inside man and after a little â€œenhanced interrogationâ€ he reveals his freedom-loving leader’s plan.

Except, of course, Shasti has been lying to the UG/FR all along. Now in control of the prototype ship, the bioroid activates the lockdown protocols and sealing everybody in. Whilst the still oblivious rebel cadres carve a bloody swathe through the imprisoned plutocrats, she undertakes her true goal: stealing the entire experimental warp section right out of the super-linerâ€¦

Locked cabins and robotic security lasers are no match for angry Angels and in ‘One of My Turns’ the apparently unkillable agents bust out and, tooling up with ballistic ordinance from the Lyra’s museum exhibit of ancient weapons, go huntingâ€¦

As the suddenly engine-less Lyra plunges to fiery doom at the ‘Ground Zero’ of Rocinante’s capital city, in deep space the engine section module reappears and Shasti waits for a rendezvous with her murderous beloved. She has no idea that the women she betrayed, almost murdered and unforgettably humiliated have made the jump with her and are hungrily approaching to take a decade’s-worth of bloody vengeanceâ€¦

At once incredibly information-dense and astonishingly addictive, these deliciously daft yet cool, light-hearted cyber-punk space operas offer a solidly satisfying slice of futuristic fantasy to delight all fans of tech-heavy blockbusters. Also included is a pastiche-packed, behind-the-scenes farcical feature as Adam Warren shockingly reveals ‘Just How the Dirty Pair Gets Done!!’ to leaven all that savage comedy with some outrageous sillinessâ€¦

The digest-sized (210x150mm) UK editions have the tag line â€œin the tradition of Red Dwarfâ€ and that assessment is not a million miles from the truth – as long as you factor in sexy death-dealing ingÃ©nues, sharp socio-political commentary, incomprehensibly skimpy costumes and utter oodles of cartoon carnage.

Brutally wry, explosively funny, hilariously action-packed and extremely spectacular, this is a truly stellar romp to get every sci fi aficionado panting for more.
The Dirty Pair Â© 1994 Haruka Takachiho. English language version Â© 1994 Adam Warren and Studio Proteus. All rights reserved.

January 2, 2015January 1, 2015

Rael: Into the Shadow of the Sun

By Colin Wilson (Acme Press/Eclipse Books)
ISBN: 978-1-87008-465-9

Colin Wilson has been a major force in world comics for decades. Born in New Zealand in 1949, he studied at Christchurch School of Art at the end of the 1960s and became a freelance illustrator. In 1977 he created his own influential fanzine Strips and in 1980 migrated to Britain, finding success and a modicum of fame at 2000AD drawing Tharg’s Future Shocks, Judge Dredd and Rogue Trooper.

After two years he moved to France and created dystopic sci fi trilogy Dans l’Ombre du Soleil for publisher Glenat. The acclaimed series brought him to the attention of Jean-Michel Charlier and his idol Jean Giraud/Moebius. Soon he was illustrating one of the most popular characters in the world – La Jeunesse de Blueberry (Young Blueberry) – to universal acclaim.

Since then he’s expanded his horizons even further, working on the Star Wars franchise, WildStorm’s US revision of Battler Britton and crime thriller Point Blank (with Ed Brubaker), triumphantly returned to 2000AD, and remained a force in European comics. He’s even joined a select band of stars to have worked on Sergio Bonelli Editore’s iconic spaghetti western Tex Willer.

Back in 1988 British publisher Acme Press – in conjunction with Eclipse Books – re-translated (Wilson wrote the first album in English and had it translated into vernacular French by writer Frank Giroud) the opening book in his gripping sci fi trilogy as Rael: Into the Shadow of the Sun.

Despite its superb artwork and thrilling premise it sank without trace on the comics-boom saturated shelves of US and UK Direct Sales Stores.

Far too long overdue for a modern re-release, our story opens as a handful of hardy, human survivors scavenge on an Earth ravaged by genetic and ecological catastrophe. Their latest risky venture is a trap however and an unknowable time later leader Rael and his wary comrades awaken in an incredible new environment: clean, antiseptic, sterile and orbiting high above the broken world they were born intoâ€¦

The satellite habitat is one of three occupied when the world collapsed, but now even this technological paradise is under threat. There’s mutiny amidst the workers and even worseâ€¦

As explained by dictatorial leader Madame Steiner, The Genesis Project is the result of positive and pre-emptive action by responsible individuals answerable to no government. In only twenty years three perfect artificial worlds were constructed and subsequently saved the worthy when Earth succumbed to war and man-made disease.

Now the hardy newcomers are being given the one-in-a-lifetime opportunity to join the project, but Steiner is not being completely candid. As the deeply suspicious Rael finds when he accidentally opens the wrong door, Chief Medical Officer Doctor William Canaris daily deals with a growing menace: a contagion inexorably ravaging the sky-dwellers which the prisoners from Earth seem immune toâ€¦

The survivors have been shanghaied for medical experimentation and, if any survive, slave labour to replace the mutineers. When they discover this and violently react the soldiery comes down hard and Rael seizes his chance to escapeâ€¦

Driven ever deeper into the bowels of the monumental construct by trigger-happy hunters, the lost and wounded fugitive eventually collapses, even as far above Canaris meticulously works his way through the prisoners, making a major medical breakthroughâ€¦

Far away, when consciousness returns Rael finds himself tended to by a strange hermit named Oliphant. The recluse evinces no interest in Steiner and her schemes or the rest of depleted humanity, but instead reveals the incredible secrets of â€œhisâ€ inner world.

Most unbelievable is the pristine natural ecosystem at its centre: a preserve of rocky peaks and verdant forests used by the upper echelons of Genesis Society as their own playground.

Moreover, although Oliphant refuses to acknowledge them either, the environment has its secret guardians: autonomous robotic Constructs which originally built the satellites and now work passively against Steiner’s rapacious practises. Befriending the outsider they reveal to Rael the shocking truth behind the planet’s collapseâ€¦

With outrage boiling through his being and all his friends slowly being expended, the rebel Earthman then charismatically convinces the robot sentinels to make a stand, leading a rebellion that might be the very last expression of human freedomâ€¦

Fast-paced, beautifully illustrated and still astoundingly timely in content, Into the Shadow of the Sun is a masterpiece of fantastic fiction which truly deserves a comprehensive new edition and another shot at the A-List of graphic entertainments.

December 31, 2014December 30, 2014

Showcase Presents Strange Adventures volume 2

By John Broome, Otto Binder, Gardner Fox, Edmond Hamilton, France E. Herron, Carmine Infantino, Gil Kane, Sid Greene, Jerry Grandenetti & various (DC Comics)
ISBN13: 978-1-4012-3846-9

As the 1940s closed, masked mystery-men dwindled in popularity and the American comicbook industry found new heroes. Classic pulp fiction genre titles flourished; anthologies dedicated to crime, war, westerns, humour and horror were augmented by newer fads like funny animal, romance and most especially science fiction which in 1950 finally escaped its glorious thud-&-blunder/ray guns/bikini babes in giant fishbowl helmets magazine roots (as perfectly epitomised in the uniquely wonderful Golden Age icon Planet Comics) with Julius Schwartz’s introduction of Strange Adventures.

Packed with short adventures from jobbing SF writers and a plethora of new heroes such as Chris KL99, Captain Comet, the Atomic Knights and others, the magnificent monthly compendium (supplemented a year later with sister-title Mystery in Space) introduced wide-eyed youngsters to a fantastic but intrinsically rationalist universe and the wonders it might concealâ€¦

On a thematic note: a general but by no means concrete rule of thumb was that Strange Adventures generally occurred on Earth or were at least Earth-adjacent whilst as the name suggests Mystery in Space offered readers the run of the rest of the universeâ€¦

Reprinting Strange Adventures #74-93 (November 1956 to June 1958), this second spectacular sci fi collection features stories from the dawn of the Silver Age, offering a backbone of fantastic fantasy plots and scenarios as an industry-wide resurgence of confidence and creativity gathered momentum and superheroes began to successfully reappear.

These stellar sagas continually informed and shaped DC’s slowly growing heroic adventure revival whilst proving over and again that Weird Science and cosmic disaster were no match for the infallibility of human intellect and ingenuity. During this period many of the plots, gimmicks, maguffins, cover designs and even interior art were recycled for the more technologically-based emergent costumed champions creeping back into public favourâ€¦

This mind-blowing, physics-challenging monochrome colossus opens with four classic vignettes, beginning with a terse thriller by John Broome & Carmine Infantino wherein a writer gained the power to see beyond the normal range and became the only human who could combat ‘The Invisible Invader from Dimension X!’ after which ‘The Metal Spy from Space!’ (Gardner Fox, Sid Greene & John Giunta) was similarly exposed and defeated by fictive pulp fictioneer â€œEdmond Hamilfordâ€â€¦

Fox, Greene & Bernard Sachs then revealed the vested interest of an investigator who obsessively sought out ‘Earth’s Secret Visitors!’ after which Edmond Hamilton, Gil Kane & Joe Giella detailed how a notoriously hapless DIY dabbler found himself in possession of the ‘Build-it-Yourself Spaceship!’

During this period editors were baffled by but still exploited a bizarre truism: every issue of any title which featured gorillas on the cover always produced increased sales. Little wonder then that so many DC comics had hairy headlinersâ€¦

Strange Adventures #75 led with ‘Secret of the Man-Ape!’ by Otto Binder, Infantino & Giella wherein a scientist intent on evolving apes into men accidentally acquired a test subject who just happened to be the vanguard of an invading alien anthropoid army whilst ‘The 2^nd Deluge of Earth!’ (Ed Jurist, Greene & Giella) saw a blind scientist save the world from Martians intent on taking over our water-rich worldâ€¦

A meddlesome technologist happily makes amends and saves an imperilled alien civilisation after curiously poking his nose into the ‘Mystery of the Box from Space!’ (Binder, Kane & Sachs) before ‘This is Timearama!’ (Hamilton, Greene & Sachs) wittily and scathingly relates what happens when an honest researcher trusts businessmen with the secrets of his televisual time probeâ€¦

In issue #76 Broome, Infantino & Sachs explored the mission of a galactic saviour handicapped by fate as he sought to save humanity in ‘The Tallest Man on Earth!’, after which ‘The Flying Saucers that Saved the World!’ (Binder, Greene & Giella) reveals how a professional UFO debunker uses all he’s learned about hoaxes to counter an actual invasion by sinister subterraneans.

Although a short story anthology title, over the run of years Strange Adventures featured a number of memorable returning characters and concepts such as Star Hawkins or Space Museum. Darwin Jones of the Department of Scientific Investigation debuted in the very first issue, solving fringe or outright weird science dilemmas for the Federal Government.

A genius-level scientific detective, he made thirteen appearances over as many years and resurfaced here to foil the insidious schemes of ‘The Robot from Atlantis!’ (Binder, Kane & Giella), which pretended benevolent friendship whilst actually trying to eradicate mankind. The issue then concludes with the struggle of a geologist to get rid of ‘The Hungry Meteorite!’ (Dave Wood, Greene & Sachs) which threatened to absorb all the metal on Earthâ€¦

Another Darwin Jones thriller – by Broome, Infantino & Sachs – opened issue #77 when a Death Row convict was given superhuman intellectual abilities by desperate trans-dimension beings facing extinction. However â€œLoboâ€ Torrence was prepared to let two worlds die to save himself, forcing the Science Detective to gamble everything on a last-ditch planâ€¦

Hamilton, Greene & Giella then detailed how ‘The Incredible Eyes of Arthur Gail!’ – damaged by a chemical accident and unable to detect non-organic materials – uncovered a cruel criminal plot, Binder, Kane & Sachs exposed the tragic secret of ‘The Paul Revere of Time!’ whose anonymous warnings prevented colossal loss of life and ‘The Mental Star-Rover!’ (Binder, Greene & Giella) revealed an uncanny connection between an Earth author and a piratical alien marauderâ€¦

Broome, Greene & Sachs opened Strange Adventures #78 with a spirited mash-up of Arthurian legend and The Prisoner of Zenda as mechanic Bruce Walker pinch-hit for an alien emperor in ‘The Secret of the Tom-Thumb Spacemen!’ after which Fox, Kane & Giella chillingly explored how existence depended on meteors when aliens tried to steal ‘The Life Battery!’ which sustained our bio-sphereâ€¦

Binder & Infantino then posed a classic quandary of ingenuity and survival after a prospector was stranded on a primitive island with a dead alien and a matter-transmuting device he believed was ‘The Magic Horn of Space!’ Immediately following, a test pilot was abducted into another dimension to become a guinea pig for inhuman predators in ‘The Prisoner of Space X!’ (France E. Herron, Greene & Sachs).

Issue #79 offered chilly seasonal fare with ‘Invaders from the Ice World!’ by Fox, Infantino & Sachs. When energy beings from Pluto possessed snowmen in advance of an invasion it took all of Darwin Jones’ deductive abilities to fathom their only weakness after which ‘Around the Universe in 1 Billion Years!’ (Herron, Greene & Giella) followed a band of explorers who return to Earth after an eternity in space to discover a new race has supplanted them.

‘A Switch in Time!’ (Fox, Kane & Giella) then examined the fate of a conman who thought himself the lucky recipient of the greatest deal in history before Hamilton, Jerry Grandenetti & Giella reveal the incredible secret of a vehicle which kidnapped its driver in ‘The Living Automobile!’

Binder handled most of the writing in #80, beginning with a smart take on intellectual property as the Kane & Giella illustrated ‘Mind Robbers of Venus!’ saw alien crooks stash their loot in the brain of electronics engineer Ian Caldwell before Greene & Giella took over for ‘The Worlds That Switched Places!’ as an astronaut made a terrible mistake that almost doomed two different dimensions.

Fox & Infantino demonstrated the duplicitous saga of Plutonian Jul Van and ‘The Anti-Invasion Machine!’ which almost destroyed Earth before Binder returned with artist Howard Sherman to seal the fate of an avaricious inventor who believed himself ‘The Man who Cheated Time!’

Strange Adventures #81 featured a subatomic would-be tyrant who kidnapped convict brothers to be his tools in an ambitious plot, but the deranged alien had no idea of the ‘Secret of the Shrinking Twins!’ (Broome, Infantino & Sachs) and consequently paid a heavy price, after which Binder, Greene & Giella pitted an Earth naturalist against a potential world conqueror in ‘The Spaceman of 1,000 Disguises!’

‘The Friendly Enemies of Space!’ (Herron, Kane & Sachs) detailed a series of natural disasters which ruined Earth’s first contact with benevolent extra-solar life before Fox, Grandenetti & Frank Giacoia examined the fallout of a lost artefact from a higher dimension when ‘The Magic Box from Nowhere!’ dropped into the hands of ordinary, greedy humansâ€¦

In #82, Herron, Infantino & Sachs’s bellicose and awesome ‘Giants of the Cosmic Ray!’ met their match in a humble earth scientist, whilst a gobsmacked youth was astounded to discover his adoptive parents were aliens when he became ‘The Man Who Inherited Mars!’ (Binder, Greene & Giella)â€¦

A lack of communication would have led to disaster had science fiction writer Owen Bently not deduced the incredible ‘Secret of the Silent Spaceman!’ (Binder, Giacoia & Giella) after which a researcher saved Earth from invaders by turning their technology against them on ‘The Day Science Went Wild!’ (Binder, Greene & Giella).

Strange Adventures #83 found a simple college Professor revealed as an amnesiac chrononaut who had to rediscover and complete his ‘Assignment in Eternity!’ before time ran out (Binder, Greene & Giella again), whilst actor Mark Gordon found himself hunting fans-turned-spree criminals as the ‘Private Eye of Venus!’ (Fox & Infantino) when his hit TV show became the sensation of the telepathic inhabitants of our sister planetâ€¦

Herron, Greene & Giella then detailed the misunderstanding which reduced gigantic Good Samaritan ‘The Volcanic Man!’ to the status of an invading monster after which an accident led to brain injury for an ordinary mortal. His wounds were repaired by passing aliens, but the victim then developed uncanny precognitive abilities in ‘The Future Mind of Roger Davis!’ by Herron, Kane & Sachsâ€¦

Ray Jenkins was a wealthy man who bought unearned fame and prestige in SA #84, but the glory-hound met his fate when he encountered the ‘Prisoners of the Atom Universe!’ (Broome, Infantino & Sachs) after which a harried scientist prevented ‘The Radioactive Invasion of Earth!’ (Fox, Greene & Sachs) when he realised Martians couldn’t stand his kids’ Rock ‘n’ Roll music eitherâ€¦

Darwin Jones returned to solve the ‘Riddle of the Walking Robots!’ (Herron, Infantino & Giella) which ceaselessly roamed the Earth sowing alien seeds whilst schoolboy Tommy Ward‘s â€œElectronic Brainâ€ kit became ‘The Toy that Saved the World!’ (Binder, Greene & Giella)â€¦ once he stopped scrupulously following the instructionsâ€¦

John Broome scripted the first half of issue #85, leading with artists Greene & Sachs ‘The Amazing Human Race!’ wherein a scientist uncovered a plot by Praying Mantises to conquer humanity whilst a colour-blind student found affirmation when his disability saved an alien civilisation from destruction in ‘The Colorless World of Peter Brandt!’ (Infantino & Giella).

Binder closed the issue with a brace of tales: ‘The Riddle of Spaceman X!’ (Greene & Giella) saw human scientists try to deduce the form of an alien from examining his â€œabandonedâ€ ship whilst ‘Thieves of Thought!’ (Infantino & Sy Barry) followed a speleologist who discovered a city of robots telepathically appropriating human inventions for the purposes of conquestâ€¦

In SA #86, ‘The Dog That Saved the Earth!’ (Broome, Infantino & Sachs) revealed how alien energy turned an ordinary mutt into a telepathic genius in time to prevent a cosmic catastrophe after which Binder, Infantino & Giella revealed how an ordinary chemist stopped an ‘Interplanetary Space-Feud!’ which threatened to devastate the world.

Gardner Fox then finished off the issue with two intriguing enigmas. Spelunker Bill Jackson stumbled onto an alien ship and found only he could stop ‘The One-Hour Invasion of Earth!’ (art by Giacoia), after which Greene & Giella revealed how schoolboy John Haldane was saved by a mysterious stranger in return for a similar service performed two decades hence during ‘The Weather War of 1977!’

Strange Adventures #87 begins with Herron, Infantino & Giella’s ingenious ‘New Faces for Old!’ wherein the ultimate plastic surgery craze is nothing but a crafty scheme by aliens to ferret out freedom fighters hiding amidst teeming humanity whilst ‘Mystery Language from Space!’ (Fox, Greene & Sachs) shows how a warning of planetary doom was almost wasted since nobody could read the messagesâ€¦

Next Fox, Infantino & Giella detailed how a freshly graduated Air Force pilot was seconded to the red planet to combat the ‘Meteor Menace of Mars!’ after which Binder, Greene & Giella described how an ingenious writer was tapped by aliens in dire distress to be ‘The Interplanetary Problem-Solver!’

Simian allure informed issue #88 as Herron, Infantino & Giella depicted Darwin Jones thwarting ‘The Gorilla War against Earth!’ and uncovering another alien invasion scheme whilst ‘The Warning Out of Time!’ (Binder, Greene & Sachs) revealed how a lost Da Vinci masterpiece concealed prophetic warnings of future disasters.

A mysterious and diligent ‘Bodyguard from Space!’ (Fox, Infantino & Sachs) attached himself to cameraman Jim Carson because the human’s brain contained knowledge to save a dying civilisation, after which Binder, Greene & Giella posed a classic survival conundrum as Earth scientists struggled to discern ‘The Secret of the Sleeping Spaceman!’

When Saturnians raided our world in issue #89 one scientist advised neither capitulation nor resistance but instead suggested offering ‘Earth for Sale’ (Herron, Infantino & Sachs) to save humanity, after which a professor vanished from human view to find himself a ‘Prisoner of the Rainbow!’ (Binder, Greene & Giella).

Then a pilot on a mission of mercy took an accidental ‘Detour in Time!’ and saved future humanity in a chiller by Fox, Grandenetti & Giella before ‘Mystery of the Unknown Invention!’ (Binder, Greene & Giella) saw a nosy neighbour’s prying accidentally saving a worldâ€¦ but not his ownâ€¦

In #90 ‘The Day I Became a Martian!’ (Binder, Infantino & Sachs) revealed how prospective invaders periodically transformed a sci fi writer to see if Earth could sustain them whilst Fox, Greene & Giunta recounted how a bookshop owner endured regular clandestine visits from an extraterrestrial seeking ‘The 100,000 Year Old Weapon!’

Binder also scripted the final brace of astounding yarns as an ‘Amazing Gift from Space!’ (illustrated by Infantino & Sachs) saw human suspicion nearly spurn an incredible opportunity and doom two civilisations, whilst Greene & Giella limned ‘Mystery of Meteor Crater!’: a thrilling battle between Jovian invaders and ordinary Earthmen for the most powerful element in creationâ€¦

In #91 ‘The Midget Earthman of Jupiter!’ (Broome, Greene & Sachs) saw an Olympic decathlete assist Brobdingnagian aliens in a struggle for democratic freedom whilst Binder, Greene & Giunta’s ‘Warning to Earth!’ featured an oceanographer afflicted with a mental block attempt to circumvent his psychic gag and alert the surface-world to impending undersea invasionâ€¦

Fox, Manny Stallman & Giella then detail a shipwrecked extraterrestrial swindler’s scheme to trick Earth into building his ride home after discovering ‘The Amazing Tree of Knowledge!’ before ‘Prisoner of the Space Satellite!’ (Binder, Infantino & Sachs) reveals how an isolated astronomer solves a mathematical mystery and saves the last survivor of Atlantis from death in spaceâ€¦

SA #92 offered a more literal tale from Joe Millard, Infantino & Sachs as ‘The Amazing Ray of Knowledge!’ boosted the intellect of children just as a sidereal phenomenon threatened to destroy the solar system. Sadly the effect was only temporary and when the kids reverted to normal their solution was beyond the ken of their parentsâ€¦

When an alien impostor dies in an accident the authorities uncover a plot to end humanity. ‘Earth – Planetary Bomb!’ by Fox & Giunta sees Jeff Morgan impersonate his own doppelganger to infiltrate the doom-ring and save the world after which Fox, Stallman & Giella revealed how a magazine artist encountered ‘Models from Saturn’ and became embroiled in an interplanetary revolution.

‘The Ice-Age Message!’ by Binder & Greene then sees a TV weatherman deliver a forecast of meteorological Armageddon after clashing with aliens seeking to steal Earth’s carbon dioxide.

Strange Adventures #93 wraps up the nostalgic future-watching beginning with extra-length thriller ‘Heart of the Solar System!’ (Millard, Infantino & Giella) wherein a space-traffic patrolman strives to protect the artificial organ which regulates the laws of physics in our sector of space from stellar marauders after which Fox, Stallman & Sachs expose temporal meddlers whose experiments drop the first volume of a cosmic dictionary in the lap of a contemporary quiz show contestant.

Dubbed ‘The Wizard of A!’, Joe Bentley‘s brief moment of fame almost eradicated the time continuumâ€¦

The final tale in this titanic tome is one last Darwin Jones romp as Fox & Giunta’s ‘Space Rescue by Proxy!’ describes the Science Detective’s dealings with a telepathic alien sent to warn Earth of impending doom. Sadly the saviour himself fell into deadly danger and had to be rescued by Jones’ ingenuityâ€¦

Couched in the grand tradition of legendary pulp sci-fi editor John Campbell, with human ingenuity and decency generally solving the assorted crises of cosmic interaction, these yarns and sagas are a timeless highpoint of all-ages comics entertainment.

If you dream in steel and plastic and are still wondering why you don’t yet own a personal jet-pack, this volume might go some way to assuaging that unquenchable fire for the starsâ€¦
Â© 1956, 1957, 1958, 2013 DC Comics. All Rights Reserved.â€¦

December 26, 2014December 24, 2014

Tales of the Mysterious Traveller

By Joe Gill, Steve Ditko, Bill Molno, Gene Colan, Charles Nicholas, Paul Reinman & various (Racecourse Press/GT Ltd.)
No ISBN

Steve Ditko is one of our industry’s greatest talents and probably America’s least lauded. His fervent desire to just get on with his job and tell stories the best way he can, whilst the noblest of aspirations, has and will always be a major consideration or even stumbling block for the commercial interests which for so long controlled all comics production and still exert an overwhelming influence upon the mainstream bulk of Funnybook output.

Before his time at Marvel, young Ditko perfected his craft creating short stories for a variety of companies and it’s an undeniable joy to be able to look at this work from a such an innocent time when he was just breaking into the industry: tirelessly honing his craft with genre tales for whichever publisher would have him, always seeking to be as free as possible from the interference of intrusive editors.

The Mysterious Traveller was one of Charlton Comics’ earliest stars. The title came from a radio show (which ran from 1943-1952) which the doggedly second-string company licensed, with a lead/host/narrator acting more as voyeur than active participant.

Standing aloof, speaking â€œto cameraâ€ and asking readers for opinion and judgement, he shared a selection of funny, sad, scary and wondrous human interest yarns all tinged with a hint of the weird and supernatural. The long-running show spawned a single comicbook issue published by Trans-World Publications illustrated by the great Bob Powell, cover-dated November 1948.

When revived years later and as rendered by Ditko, whose storytelling mastery, page design and full, lavish brushwork were just beginning to come into their mature full range, the Tales of the Mysterious Traveler (as the US version was styled) short stories were esoteric and utterly mesmerising. This comicbook iteration ran for 13 issues from 1956-1959â€¦

The particular print artefact under review today is in fact a British compilation of Charlton reprints, culled not only from the nominated title but from range of genre titles for a presumably less-discerning British audience. It’s one of a line of card-cover albums and cheap pamphlets reprinting US material that proliferated in the late 1950’s before actual comicbooks began to be imported. Other volumes range from Blackhawk to Rip Kirby to Twilight Zone.

The short complete tale was once the sole staple of the comic book profession, when the plan was to deliver as much variety as possible to the reader. Sadly that particular discipline is all but lost to modern comic creators.

This undated (I’m guessing it’s from 1960) monochrome chronicle – which I’m assuming was scripted almost entirely by the prodigiously prolific Joe Gill – opens with ‘Little Boy Blue’ (TotMT#10, November 1958) detailing the unsuspected, unacknowledged sacrifice of a jazz virtuoso who saves the world after which, from the same issue ‘The Statues that Came to Life’ reveals how ancient Greek king Pellas tries to duplicate Pygmalion’s legendary feat and hires an artist to carve him a perfect wife.

However when sculptor Phidias succeeds and the marble beauty comes to life, it is not Pellas she wantsâ€¦

‘The Puncher from Panhandle’ is western prose yarn by Frank Richards – which feels like it might have been written by a Brit – after which two episodes of ‘Sundown Patrol’ (frustratingly familiar – perhaps early Don Perlin – but I can’t find where it originally ran) follows a grim attrition as nine US Cavalrymen defy renegade warrior Crazy Dog‘s attempts to destroy themâ€¦

It’s followed by another Frank Richards western vignette: a tale of banditry and ‘The Man in the Flour Bag’ after which Ditko again scores with the classic sci fi shocker ‘Adrift in Space’ (Mysteries of Unexplored Worlds #8, June1958). Here Captain Crewes, marooned in the void by a mutinous crew, ruminates on what brought him to this sorry fate.

Next is ‘The Half Men’ (illustrated by Bill Molno &Sal Trapani from the same issue) which sees three flawed but dauntless men voyage to a fantastic under-earth civilisation. Astute readers might recognise the tale from modern alternative comics since Kevin Huizenga tellingly redrew the entire epic for Kramer’s Ergot volume 8â€¦

Also from MoUW #8 is a moving yarn by Gene Colan and one that I can’t identify. Colan’s moodily rendered ‘The Good Provider’ sees a married couple tested to the extreme by a wish-fulfilling bag whilst ‘Full Development’ follows the sorry path of a young man who develops mind-reading powers after the CIA recruit himâ€¦

Ditko resurfaces for ‘The Mountain That Was’ (Mysteries of Unexplored Worlds #11 January 1959) with an eerie saga of climbers and snowbound monsters after which from the same source ‘Voyage to Nowhere’ (Molno & Vince Alascia) sees a wealthy man fall into a coma and undergo a startling moral transformation.

Unusual Tales #6 (February 1957) provided ‘Caveman’ (by Charles Nicholas & Jon D’Agostino?) which follows a sour-tempered wage-slave through a cathartic reversion to soul-cleansing primitivism whilst, following prose terror tale ‘Frightful Fears’ from MoUW #11, ‘Algaroba the Aerial Artist’ (Molno & Alascia, Unusual Tales #2, January 1956) poses a bizarre enigma of reincarnation and high wire artistryâ€¦

‘The Strange Return’ by Paul Reinman (MoUW #11 again) treads similar ground with the tale of a treasure hunter in Persia after which ‘The Memorable Mile’ (probably by Molno again but I can’t trace the source) details how supernatural forces come to the fore in a propaganda-drenched sporting contestâ€¦

Molno & Trapani then render ‘Not All Gold Glitters’ (Unusual Tales #6, February 1957) wherein a destitute couple are pushed to the limits of sanity when they mysteriously inherit a fortune whilst ‘Elixir’ (Molno &Trapani from MoUW #8 again) attacks medical arrogance as a disbelieving doctor throws away a miracle cure he receives in the mailâ€¦

Everything wraps up with anonymously illustrated (Maurice Whitman perhaps?) but moving ‘Willie!’ from UT #6 as a modernising boss comes a-cropper after retiring an aging craftsman and his favourite machineâ€¦

This amazingly capacious volume has episodes that terrify, amaze, amuse and enthral: utter delights of fantasy fiction with lean, stripped-down plots and simple dialogue that let the art set the tone, push the emotions and tell the tale, from a time when a story could end sadly as well as happily or portentously and only wonderment was on the agenda, hidden or otherwise.

Sadly it’s rather hard to find – but not impossible! – and, if like me, you lament that only superstar creators get their back catalogue reprinted these days but still yearn to see the efforts of the journeymen who filled the other pages of old comicbooks, collections like this are your only resort.

Little gems like this should be permanently in print or at least available online and used as a primer for any artist who wants a career in comics, animation or any storytelling discipline.
No copyright notice included so let’s assume Â© 2014 the current rights owner. All rights reserved.

December 24, 2014December 22, 2014

The Adventures of Blake and Mortimer: The Yellow â€œMâ€

By Edgar P. Jacobs, translated by Clarence E. Holland (Cinebook)
ISBN: 978-1-905460-21-2

Master storyteller Edgar P. Jacobs pitted his distinguished duo of Scientific Adventurers Captain Francis Blake and Professor Philip Mortimer against a wide variety of perils and menaces in stunning action thrillers which merged science fiction, detective mysteries and supernatural thrillers in the same timeless Ligne claire style which had done so much to make intrepid boy reporter Tintin a global sensation.

The strip debuted in Le Journal de Tintin #1 (26^th September 1946): an anthology comic with editions in Belgium, France and Holland. The new anthology was edited by HergÃ©, with his eponymous star ably supplemented by a host of new heroes and featuresâ€¦

Le Marque Jaune was the third astounding exploit of the peerless pair, originally serialised in Le Journal de Tintin from August 6^th 1953 to November 3^rd 1954, before being collected as the sixth drama-drenched album in 1956.

This moody stand-alone extravaganza is the first in the modern Cinebook sequence with the True Brits for once on home soil as they struggle to solve an eerie mystery and capture an apparently superhuman criminalâ€¦

The tale begins a few days before Christmas on a night raining cats and dogs. The guards at the Tower of London are dutifully going about their appointed tasks when a sudden power cut douses all the lights.

By the time Beefeaters and Yeomen can find alternative lighting the damage is done. The Jewel Room is ransacked, the Imperial Crown missing and the wall emblazoned with a large letter M in a bold circle of yellow chalk.

The shocking travesty is but the latest in an outrageous series of incredible crimes by someone the newspapers have taken to calling The Yellow Mâ€¦

Incensed by the latest outrage the Home Office assigns MI6 to the case and their top man Blake is seconded to assist Chief Inspector Glenn Kendall of Scotland Yard. So serious is the matter that Blake instantly cables his old comrade Professor Mortimer, dragging the bellicose boffin back from a well-deserved vacation in Scotland.

London is ablaze with rumour and speculation about the super-bandit. The old warhorses adjourn to the Centaur Club in Piccadilly to discuss events but as they settle in for a chinwag, Mortimer gets a fleeting impression that they are being spied uponâ€¦

Suddenly they are interrupted by four fellow members also hotly debating the case. Sir Hugh Calvin is a judge at the Central Criminal Court; Leslie Macomber edits the Daily Mail and Professor Robert Vernay is a prominent figure in the British Medical Association and they all are hotly disputing Dr Jonathan Septimus – of the Psychiatric Institute – who propounds a theory that the phantom felon is a prime example of his pet theory of â€œThe Evil Influence of Cellular Developmentâ€â€¦

The enlarged group continues the verbal back-and-forth into the small hours and when they finally break up Vernay follows his habit of walking home. He does not make it. The police find only his hat and a chalked letter in a circleâ€¦

The flamboyant rogue seems to be everywhere. When Blake and Mortimer interview Macomber, Calvin and the terrified Septimus next day, the invisible enigma somehow gets close enough to leave his mark on the MI6 officer’s coat, before sending a mocking cable warning the Mail’s Editor that more and worse is comingâ€¦

That night Macomber is abducted from his office in plain view of his staff and Kendall is found in a dazed state after failing to protect Judge Calvin from a mystery intruderâ€¦

Septimus concludes that he is next and convinces Blake to get him out of London. The pair board a train for Suffolk with a complement of detectives but even these precautions are not enough. The psychiatrist is impossibly plucked from the Express before it is wrecked in a horrific collision with another train.

In London, cerebral Mortimer has been researching another angle with the assistance of Daily Mail archivist Mr. Stone and has found a decades-old link between the missing menâ€¦

It all revolves around a controversial medical text entitled â€œThe Mega Waveâ€ and a scandalous court case, but when the Professor tries to secure a copy of the incredibly rare volume from the British Museum Library he is confounded by the Yellow M who invisibly purloins the last known copy in existenceâ€¦

That evening he shares his thoughts with the returned Blake, unaware that his house has been bugged. Hours later a mysterious cloaked intruder breaks in but has a fit after passing some of Mortimer’s Egyptian souvenirs. The noise arouses the household and the masked burglar is confronted by Blake, Mortimer and burly manservant Nasir.

Incredibly the villain defeats them all with incredible strength and electrical shocks, even shrugging off bullets when they shoot himâ€¦

Exploding through a second story window the M laughs maniacally as they continue futilely firing before running off into the London night. In their shock the adventurers return to the drawing room and trip over the intruder’s listening devicesâ€¦

Later the recovered Kendall visits just as a package arrives. It contains an anonymous note from someone wishing to share information and directs Blake to a late night rendezvous at Limehouse Dock. The message also contains a desperate note from the missing Septimus begging Blake to complyâ€¦

Well aware that it’s a trap and over Mortimer’s strenuous protests, Blake and Kendall lay plans to turn the meeting to their advantage. Left at home the Professor is surprised by a late visit from Stone. The remarkably efficient researcher has found a copy of The Mega Wave and rushed over to show Mortimer.

As Blake manfully braves the foggy waterfront and walks into deadly danger Mortimer is reading the tome, deducing who is behind the plot and perhaps even how the malign miracles are pulled offâ€¦

In Limehouse the empty commercial buildings become a spectacular battleground as Blake and the police confront the masked man who easily holds them all at bay with incredible feats of speed and strength, before breaking out of the supposedly impenetrable blue cordon and escaping.

In his destructive flight he tumbles into the frantic Mortimer who is dashing in to warn his old friend. Changing tack, the boffin gives chase, doggedly following the superhuman enigma through parks and sewers until he finds himself in a hidden basement laboratory being assaulted by mind-control devices devised by the sinister mastermind actually behind the entire campaign of vengeance and terrorâ€¦

As the smirking villain gives an exultant speech of explanation, triumph and justification, Mortimer sees the fate of the abducted men and meets the human guinea pig who has been terrorising London at the behest of a madman. It is the very last person he ever expected to see again, but as he reels in shock Blake and Kendall are on his trail, thanks to the efforts of an avaricious cabbie with a good memory for facesâ€¦

As Christmas Day dawns Blake and Kendall lead a raid on the hidden citadel to rescue Mortimer, but the wily savant has already taken dramatic steps to secure his own release and defeat his insane, implacable opponent…

Fast-paced, action-packed, wry and magnificently eerie, this fabulously retro thriller is an intoxicating moody mystery and a sheer delight for lovers of fantastic fiction. Blake & Mortimer are the graphic personification of the Bulldog Spirit and worthy successors to the likes of Sherlock Holmes, Allan Quatermain, Professor Challenger, Richard Hannay and all the other valiant stalwarts of lost Albionâ€¦

In 1986 this story was reformatted and repackaged in a super-sized English translation, the last of six volumes with additional material (mostly covers from the weekly Tintin added to the story as splash pages) as part of a European push to win some of the lucrative Tintin and Asterix market here, but failed to find an audience. There were no more translations until January 2007 when Cinebook released this tome to far greater approval and much successâ€¦

Gripping and fantastic in the truest tradition of pulp sci-fi and Boy’s Own Adventures, Blake and Mortimer are the very epitome of dogged heroic determination; always delivering grand, old-fashioned Blood-&-Thunder thrills and spills in timeless fashion and with astonishing visual punch. Any kid able to suspend modern mores and cultural disbelief (call it alternate earth history or bakelite-punk if you want) will experience the adventure of their livesâ€¦ and so will their children.

This Cinebook edition also includes a selection of colour cover sketches and roughs plus a biographical feature and chronological publication chart of Jacobs’ and his successors’ efforts.
Original editions Â© Editions Blake & Mortimer/Studio Jacobs (Dargaud-Lombard s.a.) 1987 by E.P. Jacobs. All rights reserved. English translation Â© 2007 Cinebook Ltd.

December 20, 2014December 18, 2014

Tales of an Imperfect Future

By Alfonso Font (Dark Horse Books)
ISBN: 978-1-61655-494-1

Win’s Christmas Gift Recommendation: For Starry-Eyed Cynics Everywhereâ€¦ 8/10

Barcelona-born creator Alfonso Font Carrera was born on August 28^th 1946. He studied Fine Arts and worked as an illustrator before slipping into comics in the 1960s with westerns tales in HazaÃ±as del Oeste and Sioux for Ediciones Toray.

He soon graduated to horror stories and historical crime dramas about infamous criminals for the Selecciones Illustradas Agency and in 1970 began contributing material to British publisher Fleetway on strips such as Black Max in Thunder and Lion, soon thereafter graduating to America with work for mature magazine publishers Warren and Skywald.

With writer Carlos EchevarrÃa, he created ‘GÃ©minis’ (AKA Phil Jackson) and moved to Paris in 1975 to work for major comics magazine Pif Gadget devising ‘Sandberg, PÃ¨re et Fils’ with Patrick Cothias, ‘Les Dossiers MystÃ¨re’ (written by Solet, and sharing art chores with Carlos GimÃ©nez and Adolfo Usero) and the Roger LÃ©cureux-scripted ‘Les Robinsons de la Terre’.

From 1976-1982 he also freelanced for Scoop, Tousse Bourin and Super-As and at that time, incensed by publishers reprinting his work without permission or payment, he became active in Creators Rights issues and worked with GimÃ©nez, Victor Mora and Usero as the â€œWorkshop Premiaâ€ seeking to create a union for comics professionals.

In the mid 1980s Font returned to Spain, contributing to new, home-grown publications like Cimoc, Ã€ Tope, and Circus whilst creating (with Mora) ‘Sylvestre’ and ‘Tequila Bang’.

For the Spanish iteration of 1984 he created signature sci fi gadabouts Clarke & Kubrick – who subsequently appeared in Cimoc and Rambla – and began a series of self-scripted, mordantly cynical and sardonic science fiction tales under the umbrella title ‘Cuentos de un futuro imperfecto’ which we know as Tales of an Imperfect Futureâ€¦

Seemingly never sleeping, he went on to create parody-laced aviation hero ‘Frederico Mendelssohn Bartholdy’, ‘El Prisionero de las Estrellas’, and classical adventure serial ‘Jann PolynÃ©sia’ – which evolved into the iconic ‘John Rohner’ for Cimoc and ‘Carmen Bond’ for Ã€ Tope

In 1987 he started a fruitful association with French publications Pilote and Charlie Mensuel with his series ‘Taxi’ and, after a brace of independent albums for Planeta publishers, revived John Rohner at Norma publishers.

Always occupied he went on to create ‘Privado’ and medieval warrior ‘Bri D’Alban’ for Cimoc, whilst collaborating on cop series ‘Negras tormentas’ (‘Black Storms’) with writer Juan Antonio De Blas. He even began occasionally illustrating Italy’s venerable western superstar Tex for Bonelli. In 1996 he returned to American pages with his erotic series ‘Dra, Dare’ for Penthouse Comix.

A major force in European graphic storytelling, Font has won numerous awards including The Grand Prize at Comic Barcelona and a Haxtur Award.

His artwork is loose, fluid, intricate and utterly electrifying and now Dark Horse have translated the original European collection of Tales of an Imperfect Future into a stunning oversized (287x224mm) monochrome hardback edition that will delight fans of grittily fantastic fiction.

Any Brit who grew up reading the short complete sagas exemplified and perfected in 2000AD‘s Tharg’s Future Shocks, Pulp Sci-Fi or Tales from Beyond Science will be right at home – unless casual (human and robot) nudity is a problemâ€¦

Written and illustrated by Font throughout, the anthological nature of the tales is linked by the simple bridging device of a grotesque alien directly telling us that humanity is simultaneously a threat and embarrassment to the universe. However, rather than go to the time and expense of eliminating us, the Great Powers are offering us one last chance to change our ways and by way of inducement have provided some stories taken from our most probable futures to illustrate just why we’re so much of a problemâ€¦

The hard science hagiography commences with ‘Tanatos-1 Comes Home’ as the smug hierarchal rulers of earth gloat over the news that the AI super-weapon they created to destroy the alien fleets of Kloron has spectacularly succeeded.

As boffin Commander Grenh describes to the xenophobic top Bankers, Clerics and Military leaders how his programming compels the indestructible Tanatos-1 to unceasingly and implacably seek out all life in the universe and eradicate it, veteran General Alto Kervis asks himself why it has turned around and now nears Earthâ€¦

‘Rain’ introduces hard-working, long suffering blue-collar spacers Stanley Kubrick and Arthur C Clarke, stuck on a sodden world going slowly madâ€¦

When the incessant deluge apparently causes a malfunction, hated computer Hal 2001 insists they go outside to fix the problem but Stanley is convinced the useless metal martinet is trying to kill its human mastersâ€¦

Barbed humour gives way to barbarian fantasy in ‘Day of Glory’ as valiant John Smith battles devils and monsters to save his princess and his people. Tragically the wonder warrior is in for disappointment and shock once he impossibly defeats the sinister Overlord of Klaarnâ€¦

Cracks appear in the foundations of the Military-Industrial complex when a vile capitalist proves to the government why the war they’re fighting must never end in ‘Stocks’, whilst

‘The Hunt’ prophetically takes the Hunger Games trope and ongoing war between â€œOne-Percentersâ€ and the rest of us to its logical conclusionâ€¦

Originally crafted in the mid 1980s, it follows two super-rich brats as they stalk each other with lethal weapons through the dystopian wastelands inhabited by the poor. Of course, even when they’re killing each other for sport on a reality show, the oligarchs still find a way to bloodily exploit the despised discarded millionsâ€¦

‘â€œLike a Plagueâ€’ then offers an excoriating morality tale about our suicidal ecological irresponsibility before Stanley and Arthur return in ‘Cyberratic’.

Having finally escaped the rain-drenched hellhole and their creepily disturbing electronic taskmaster, the unlikely heroes hit the Welcome Satellite for some R&R but stumble into a major mechanical malfunction on the totally-automated resort. Luckily a small droid keeps pulling their fat out of the robotic fire, but you’d think such passionate machine-haters would stop for a moment to ask why and how their little saviour escaped the malfunction plagueâ€¦

‘The Final Enemy’ offers a bleak glimpse at the thinking behind the soldiers who will fight in the final atomic Armageddon whilst black humour informs the tale of Earth explorers who land on paradise and destroy it forever with ‘The Kiss’â€¦

Similar silliness informs the trash-inundated post-apocalyptic world of ‘The Cleaner’ when humanity’s last survivors activate a miraculous device to get rid of the cause and effects of the pollution which destroyed the worldâ€¦

Although meant as a comedic interlude, the next vignette sadly comes across as dated and just a touch homophobic by today’s elevated standards, detailing the shock and peril a solitary explorer endures when he discovers his government-mandated and supplied robotic sexual companion is not a â€œBettyâ€ but an over-zealous ‘Valentino’â€¦

Far more safe and salutary territory finds ‘Earth Control at Your Service, Sir.’ addressing a version of the Cold Equations quandary as two astronauts bringing an end to global famine realise that they won’t reach Earth if both men keep breathing the rapidly diminishing oxygen supply. As they struggle to make an impossible decision they have no inkling that the authorities on a starving world have their own ideasâ€¦

‘The Siege’ bloodily traces the rampage of a merciless murderous maniac as a fractured city endures police martial law and the ceaseless hunt for society’s greatest menace and the tormented tomorrows tumble to a close with the bleak sad tale of a doomed and dying spacer’s escape into fantasy and one last passionate rendezvous with beloved ‘Green Eyes’â€¦

Scary, satirical, suspenseful and superbly intoxicating Tales of an Imperfect Future offers a powerful panoply of graphic pleasures for every lover of comics adventure and science fiction wonders by a master of art long overdue for fame in the English-speaking world.
Tales of an Imperfect Future Â© 2014 SAF Comics, www.safcomics.com. All rights reserved.

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