Asterix and the Missing Scroll


By Jean-Yves Ferri & Didier Conrad, translated by Anthea Bell (Sphere/Orion Books)
ISBN: 978-1-51010-045-9 (album HB/Digital edition) 978-1-51010-046-6 (album PB)

Win’s Christmas Gift Recommendation: A Classical Way to Celebrate the Season… 9/10

Asterix the Gaul is probably France’s greatest literary export and part of the fabric of French life. The feisty, wily little warrior who fought the iniquities and viewed the myriad wonders of Julius Caesar’s Roman Empire with brains, bravery and – whenever required – a magical potion imbuing the imbiber with incredible strength, speed and vitality, is the go-to reference for all us non-Gallic gallants when we think of France.

The diminutive, doughty darling was created at the close of the 1950s by two of our artform’s greatest masters, with his first official appearance being October 29th in Pilote #1, even though he had actually debuted in a pre-release teaser – or “pilot” – some weeks earlier. Bon Anniversaire mon petit brave!

His adventures touched billions of people all around the world for five and a half decades as the sole preserve of originators Rene Goscinny and/or Albert Uderzo. After close on 15 years as a weekly comic serial subsequently collected into book-length compilations, in 1974 the 21st saga – Asterix and Caesar’s Gift – was the first released as a complete original album prior to serialisation. Thereafter each new album was an eagerly anticipated, impatiently awaited treat for legions of devotees, but none more so than this one which was created by Uderzo’s handpicked replacements – scripter Jean-Yves Ferri (Fables Autonomes, La Retour à la terre, De Gaulle à la plage) and illustrator Didier Conrad (Les Innomables, Le Piège Malais, Tatum, Spirou) – who had taken up a somewhat poisoned chalice on his retirement in 2009. And so began the further adventures of truly immortal French heroes. Happily the legacy was in safe hands, especially after this first book was meticulously overseen by Uderzo every step of the way…

Whether as an action-packed comedic romp with sneaky, bullying baddies getting their just deserts or as a punfully sly and witty satire for older, wiser heads, the new work is just as engrossing as the previously established canon, and English-speakers are still happily graced with the brilliantly light touch of translator Anthea Bell who, with former collaborator Derek Hockridge, played no small part in making the indomitable little Gaul so palatable to English-speakers around the globe.

As you surely already know, half of these intoxicating epics are set in various exotic locales throughout the Ancient World, whilst the rest take place in and around Uderzo’s adored Brittany where, circa 50 B.C., a little hamlet of cantankerous, proudly defiant warriors and their families resisted every effort of the mighty Roman Empire to complete the conquest of Gaul.

Although the country is divided by the notional conquerors into provinces Celtica, Aquitania and Amorica, the very tip of the last named regions stubbornly refuses to be pacified. The Romans, utterly unable to overrun this last bastion of Gallic insouciance, are reduced to a pointless policy of absolute containment – and yet these Gauls come and go as they please. Thus a tiny seaside hamlet is permanently cut off (in the broadest, not-true-at-all sense) by heavily fortified garrisons Totorum, Aquarium, Laudanum and Compendium: filled with veteran fighters who would rather be anywhere else on earth than there…

Their “confined detainees” couldn’t care less: casually frustrating and daily defying the world’s greatest military machine by simply going about their everyday affairs, untouchable thanks to a miraculous magic potion brewed by resident druid Getafix and the shrewd wits of diminutive dynamo Asterix in merry conjunction with his simplistic, supercharged best pal Obelix

Le Papyrus de César was released on October 22nd 2015, simultaneously hurtling off the shelves of many nations as Asterix and the Missing Scroll (or whatever the local language equivalent of the many nations addicted to these epics might be). Even though, as with many previous tales, it takes its momentum from satirising current affairs, the resemblances to certain unscrupulous publishing magnates and founders of information-leaking internet sites are both remarkable and – I’m sure – utterly coincidental. After all, who doesn’t like fake news and genuine censorship?

This home fixture begins away in glorious Rome where Caesar anticipates the release of his memoirs Commentaries on the War with the Gauls (or Commentarii de Bello Gallico as your granddad probably knew it). Unimaginative, forthright Caesar ended the ruminations with a final scroll detailing how he has been unable to completely end the conflict because of repeated incidents with a small village of indomitable Gauls who simply won’t accept that they’ve been conquered. He is shocked – but not averse – to the suggestion of his advisor and publisher Libellus Blockbustus who recommends that they just leave it out of the released edition…

The expurgated publication is a sensation throughout the empire, and far away in that still-unconquered enclave, life goes on as usual after publication. In fact, when the latest “newspaper” arrives the villagers are only concerned with the latest horoscopes. As myopic Wifix reads them out, aged Geriatrix takes his prediction to heart and sees “new conquests” in his future, whilst Obelix is mortally crushed by a rather specific prognostication to “avoid conflict, take stock and go easy on the roast boar”…

Asterix, who shares the same birthday as his ponderous pal, doesn’t believe in all that astrology rubbish, but cannot shake the big buffoon out of a debilitating dudgeon. Although that means things grow quiet in Gaul, back in Rome a clandestine crisis has erupted. Mute Numidian Scribe Bigdatha has taken umbrage with the massaging of the truth and, believing the public has a right to know everything, has turned whistleblower. Swiping Caesar’s 24th scroll – “Defeats at the Hands of the Indomitable Gauls of Armorica” – he has passed it on to Confoundtheirpolitix, a Gaulish “newsmonger without borders”. Fearing the scandal will affect profits and dreading what Caesar will do if he’s made to appear foolish or dishonest, Blockbustus instigates emergency measures: sending Roman secret police to arrest the scribe and newsmonger. Confoundtheirpolitix, however, has already rushed to Armorica seeking sanctuary in a certain village Romans cannot enter…

When details of the scroll’s omissions are revealed (particularly Asterix’ many exploits such as The Chieftain’s Shield, Mansions of the Gods and so on) the Gaulish villagers react in different ways – those that aren’t still fighting over the horoscope predictions at least…

The excitable Lutetian newsmonger is adamant that the contents of the scroll could topple Caesar and something must be done to preserve it, prompting Chief Vitalstatistix to affably write his own history of the war to set things right. More sensibly, Getafix suggests that since Gauls don’t appreciate writing but memorialise facts and history in their oral tradition, he should transport the potentially devastating data to the Forest of the Carnutes where Grand Druid Archaeopterix can commit the information to his mighty and phenomenal cogitative cranial chronicles…

Meanwhile word has reached Centurion Verigregarius in Totorum to get that scroll back at all costs and he surrounds the village with a cordon of his best warriors. That means nothing to the villagers, of course. In the dead of night Asterix, Getafix and faithful petite wonder-hound Dogmatix sneak out of a secret door and set out on their mission, dragging with them dolorous, downcast and decidedly pacifistic Obelix. They are unaware that they are being stalked by a crack squad of elite Roman army surveillance specialists, equipped with the latest advancement in the empire’s covert communications technology…

Back in Rome, every fresh evidence of Caesar’s delight in his new-found authorial celebrity terrifies Blockbustus more and more. With the humiliating last chapter still out there, a ruler’s reputation (and thus publisher’s life) remains balanced on a knife-edge. Succumbing to panic, the wily advisor heads for Armorica to take personal charge of the search, even as our heroes reach the fabled forest. As their stalkers fall victim to the unique and fabulous security measures of the Carnutes druids, Getafix renews old acquaintances and begins the torturous process of committing the scroll to Archaeopterix’s capacious memory…

In Totorum, deprived of all the ongoing fresh facts and breaking news, Blockbustus and Verigregarius plan a major assault on the village to retrieve the scroll they think is still there. Their cause is greatly advanced when they catch Confoundtheirpolitix outside the stockade and take him hostage. Thankfully, the embattled Gauls have a messaging system which can reach all the way to the great forest, and Archaeopterix has a power-potion of his own which will allow his guests to get back home in time to save the day…

Even Obelix gets to play, once he learns that he was read the wrong horoscope and can have as many boars and hit as many Romans as he wants. But then, Julius Caesar angrily arrives and all Tartarus breaks loose…

Fast-paced, furiously funny, stuffed with action and hilarious, contemporary swipes and timeless jibes plus a marvellously enchanting double twist ending, this is a splendid continuation of the series by creators who clearly know what they’re doing and enjoy doing it. Asterix and the Missing Scroll is an unmissable joy for lovers of laughs and devotees of comics alike and a welcome addition to the mythic canon.
© 2015 Les Éditions Albert René. English translation: © 2015 Les Éditions Albert René. All rights reserved.

Yakari and Nanabozho (volume 11)


By Derib & Job, coloured by Dominque and translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-177-8 (Album PB/Digital edition)

Closing what has been an already appalling month for planet Earth, (belated) news came to us yesterday that we have lost two more of comics’ most prodigious and influential talents. You’re all busy and so am I, but we can’t let the events go unremarked. Here’s a quick reminder in review form of what will be so missed, but which we can still enjoy forever…

Win’s Christmas Gift Recommendation: A World We All Want … 9/10

In 1964 children’s magazine Le Crapaud à lunettes was founded by Swiss journalist André Jobin (25/10/1927-08/10/2024), who then wrote for it under the pseudonym Job. Three years later, he hired artist and fellow Swiss Franco-phone Claude de Ribaupierre, AKA “Derib”.

The illustrator had launched his own career as an assistant at Studio Peyo (home of Les Schtroumpfs): working on The Smurfs strips for venerable weekly Le Journal de Spirou. Thereafter, together they created the splendid Adventures of the Owl Pythagore before striking pure comics gold a few years later with their next collaboration.

Born in Delémont, Jobin split his time between Bande Dessinées – 39 Yakari albums and 3 for Pythagore – and his other writing editing and publishing briefs: an admirably restrained and outstandingly effective legacy to be proud of.

Derib – equally au fait with enticing, comically dynamic “Marcinelle” cartoon style yarns and devastatingly compelling meta-realistic action illustrated action epics became one of the Continent’s most prolific and revered creators with such groundbreaking strips as Buddy Longway, Celui-qui-est-nà-deux-fois, Jo (first comic to deal with AIDS), Pour toi, Sandra and La Grande Saga Indienne. They haven’t been translated into English yet, but still we patiently wait in hope and anticipation…

Yakari is considered by fans and critics to be the strip which led Derib to his deserved mega-stardom. Debuting in 1969, self-contained episodes trace the eventful, nomadic life of an Oglala Lakota boy on the Great Plains, with stories set sometime after the introduction of horses (by colonising Conquistadores) but before the coming of modern Europeans.

The series – which also generated two separate animated TV series and a movie – has notched up 42 albums thus far: a testament to its evergreen vitality and brilliance of its creators, even though originator Job moved on in 2016, replaced by Frenchman Joris Chamblain.

Abundant with gentle whimsy and heady compassion, Yakari’s life is a largely bucolic and happy existence: at one with nature and generally free from privation or strife. For the sake of dramatic delectation, however, the ever-changing seasons are punctuated with the odd crisis, generally resolved without fuss, fame or fanfare by a little lad who is smart and brave, and who can – thanks to a boon of his totem guide the Great Eagle – converse with animals…

First serialised in 1978, Yakari et Nanabozo was the fourth European album, released as the strip transferred to prestigious magazine Le Journal d Tintin, but was only translated by Cinebook in 2013, making it officially the 11th UK album. That’s not going to be a problem for chronology or continuity addicts as the tale is both stunningly simple and effectively timeless…

It begins one bright sunny day as the little wonder wanders out to the Rock of the Bear to meet his friend Rainbow. When the lad arrives there’s no sign of her, but he does meet a gigantic, extremely voluble desert hare claiming to be Trickster Spirit Nanabozho…

a statement he proves by making some astounding adjustments to the little lad’s own height.

The Great Rabbit claims to be Rainbow’s totem animal, just as Great Eagle watches over and protects Yakari. Moreover, the loopy lepine wants the lad to accompany him on a quest. Ever since a travelling tale-teller arrived in camp, recounting shocking stories of the far north where it’s so cold the bears are snowy white, headstrong Rainbow has wanted to see the amazing creatures for herself and, eager to please his protégée, the Brobdingnagian bunny agrees to help her, even supplying magic walking moccasins to reduce the hardships of the hike.

Unfortunately, the impatient tyke can’t wait for the Trickster and Yakari to join her and puts them on unsupervised. Unable to resist the enchanted slippers, Rainbow starts her trek, not knowing where she’s going or how to stop…

Now, with boy and bunny transforming into giants and tiny mites as circumstances demand, they set out to catch their impetuous friend, following the path of magic talisman ‘the Straight Arrow’ and assisted by such beneficial creatures as a night moose.

… And when they at last find Rainbow, the travellers decide that as they’ve come so far, they might as well complete the journey to the Land of the White Bears, aided by a fabulous flying canoe…

Always visually spectacular, seductively smart and happily heart-warming, Job’s sparse plot here affords Derib an unmissable opportunity to go wild with the illustrations; creating a lush, lavish and eye-popping fantasy wonderland which is breathtaking to behold, and Really Big Sky storytelling with a delicious twist in its colossal fluffy tail…

The exploits of the valiant little voyager who speaks to animals and enjoys a unique place in an exotic world is a decades-long celebration of joyously gentle, marvellously moving and enticingly entertaining adventure, honouring and eulogising an iconic culture with grace, wit, wonder and especially humour. These gentle sagas are true landmarks of comics literature and Yakari is a strip no fan of graphic entertainment should ignore.
Original edition © 1978 Le Lombard/Dargaud by Derib & Job. English translation 2013 © Cinebook Ltd.

Shazam! The Monster Society of Evil



By Jeff Smith, coloured by Steve Hamaker (DC Comics)
ISBN: 978-1-4012-1466-1 (HB) 978-1-4012-0974-2 (2009 TPB) 978-1-4012-9307-9 (2019 TPB/Digital edition)

Win’s Christmas Gift Recommendation: Fights ‘n’ Tights Fiction for the Whole Family… 10/10

Superhero comics don’t get better than this.

No soft-soap, no easing you in. Jeff Smith (in a tale originally published as a 4-issue prestige format miniseries in 2007) came the closest yet to recapturing the naive yet knowing charm that made the World’s Mightiest Innocent far and away the most successful super-character of the Golden Age in this sharp and seductive reworking of one of his greatest adventures.

Following an adulatory Introduction from Alex Ross, the trip back to our magical communal childhood kicks off with a scene of appalling deprivation and terror…

Billy Batson is a little homeless kid with a murky past and a glorious destiny. One night, he follows a mysterious figure into an abandoned subway station and meets the wizard Shazam, who gives him the ability to turn into a hefty adult superhero called Captain Marvel. Gifted with the wisdom of Solomon, strength of Hercules, stamina of Atlas, power of Zeus, courage of Achilles and speed of Mercury, the literal man-child is sent into the world to do good.

Accompanied by verbose tiger-spirit Mr. Tawky Tawny, Billy sets out to find a little sister he never knew he had, and even parlays himself into a job as a source for TV reporter Helen Fidelity

He sets to, fighting evils big and small, but at his heart he’s still just a kid. After impetuously causing a ripple in the world’s magical fabric, he must face the escalating consequences it causes: cosmic conniption fits that endanger the entire universe. When Billy finally tracks down his little sister, he also – accidentally – shares his powers with her and suffers the ignominy of having her be better at the job than he is…

The Captain soon encounters evil genius, US Attorney General and would-be ruler of the universe Dr. Sivanna, as well as the deadly and hideous minions of mysterious Mr. Mind, whose Monster Society of Evil is dedicated to wiping out humanity! Can he make amends and save the day?

Maybe, if Mary Marvel helps…

The original saga this gem is loosely based on ran from 1943-1946 in Captain Marvel Adventures #22-46: a boldly ambitious, captivating chapter-play in the manner of the era’s movie serials, and still regarded as one of the most memorable achievements of Golden Age comic books. It’s fairly safe to say that this reworking will stay in people’s hearts and minds just as long, too. It certainly spawned an excellent spin-off series which I’ve covered a time or two…

Jeff Smith accomplished the impossible here: crafted a superhero tale for all ages restoring some part of the genre to the children for whom it was originally intended. Shazam! The Monster Society of Evil is exciting, spectacular, moving and unselfconscious; revelling in the power of its own roots and the audience’s unbridled capacity for joy.

If you can track down the original hardback volume, it’s stuffed with added features. The dust-jacket opens into a truly magical double-sided poster, there are sketch and script pages for the reader with industry aspirations, biographies and historical sections, a lavishly illustrated production journal, puzzles and even a modern version of the secret code used as a circulation builder in the 1940s. Most important though, and irrespective of what iteration you get, it is the mesmerising quality of the story and artwork that you’ll remember, forever.

Words are cheap and I’ve used enough: now go get this is a truly magical, utterly marvellous book.

© 2007, 2009, 2019 DC Comics. All Rights Reserved.

Ducoboo volume 4: The Class Struggle


By Godi & Zidrou, coloured by Véronique Grobet, translated by Luke Spear (Cinebook)
ISBN: 978-1-84918-031-3 (Album PB/Digital edition)

If you’re currently experiencing Half Term, fear not! Back to school countdown begins now!

School stories and strips of every tone about juvenile fools, devils and rebels are a lynchpin of modern western entertainment and an even larger staple of Japanese comics – where the scenario has spawned its own wild and vibrant subgenres. However, would Dennis the Menace (ours and theirs), Komi Can’t Communicate, Winker Watson, Don’t Toy with Me, Miss Nagatoro, Power Pack, Cédric or any of the rest be improved or just different if they were created by former teachers rather than ex-kids or current parents?

It’s no surprise the form is evergreen: schooling (and tragically, sometimes, lack of it) takes up a huge amount of children’s attention no matter how impoverished or privileged they are, and their fictions will naturally address their issues and interests. It’s fascinating to see just how much school stories revolve around humour, but always with huge helpings of drama, terror, romance and an occasional dash of action…

One of the most popular European strips employing those eternal yet basic themes and methodology began in the last fraction of the 20th century, courtesy of scripter Zidrou (Benoît Drousie) and illustrator Godi. Drousie is Belgian, born in 1962 and for six years a school teacher prior to changing careers in 1990 to write comics like those he probably used to confiscate in class.

Other mainstream successes in a range of genres include Petit Dagobert, Scott Zombi, La Ribambelle, Le Montreur d’histoires, African Trilogy, Shi, Léonardo, a superb revival of Ric Hochet and many more. However, his most celebrated and beloved stories are the Les Beaux Étés sequence (digitally available in English as Glorious Summers) and 2010’s sublime Lydie, both illustrated by Spanish artist Jordi Lafebre. Zidrou began his comics career with what he knew best: stories about and for kids, including Crannibales, Tamara, Margot et Oscar Pluche and, most significantly, a feature about a (and please forgive the charged term) school dunce: L’Elève Ducobu

Godi is a Belgian National Treasure, born Bernard Godisiabois in Etterbeek in December 1951. After studying Plastic Arts at the Institut Saint-Luc in Brussels he became an assistant to comics legend Eddy Paape in 1970, working on the strip Tommy Banco for Le Journal de Tintin whilst freelancing as an illustrator for numerous comics and magazines. He became a Tintin regular three years later, primarily limning C. Blareau’s Comte Lombardi, but also working on Vicq’s gag strip Red Rétro, with whom he also produced Cap’tain Anblus McManus and Le Triangle des Bermudes for Le Journal de Spirou in the early 1980s. He also soloed on Diogène Terrier (1981-1983) for Casterman. Godi moved into advertising cartoons and television, cocreating with Nic Broca animated TV series Ovide. He only returned to comics in 1991, collaborating with newcomer Zidrou on L’Elève Ducobu for Tremplin magazine. The strip began there in September 1992 before transferring to Le Journal de Mickey, with collected albums starting in 1997, 27 so far in French, Dutch, Turkish and for Indonesian readers.

When not immortalising modern school days for future generations, Godi diversified, co-creating (1995 with Zidrou) comedy feature Suivez le Guide and game page Démon du Jeu with scripter Janssens. That series spawned a live action movie franchise and a dozen pocket books, plus all the usual attendant merchandise paraphernalia. English-speakers’ introduction to the series (5 volumes only thus far) came courtesy of Cinebook with 2006’s initial release King of the Dunces – in actuality the 5th European collection L’élève Ducobu – Le roi des cancres.

The indefatigable, unbeatable format comprises short – most often single page – gag strips like you’d see in The Beano, involving a revolving cast; well-established albeit also fairly one-dimensional and easy to get a handle on. Our star is a well-meaning, good natured but terminally lazy young oaf who doesn’t get on with school. He’s sharp, inventive, imaginative, inquisitive, personable and not academical at all. Today he’d be SEP, banished as someone else’s problem, relegated to a “spectrum” or diagnosed with a disorder like ADHD, but back then, and at heart, he’s just not interested: a kid who can always find better – or at least more interesting – things to do…

Dad is a civil servant and Mum left home when Ducoboo was an infant. It’s not a big deal: Leonie Gratin – the girly brainbox from whom he constantly and fanatically copies answers to interminable written tests – only has a mum. Ducoboo and his class colleagues attend Saint Potache School and are mostly taught and tested by ferocious, impatient, mushroom-mad Mr Latouche. The petulant pedagogue is something of humourless martinet, and thanks to him, Ducoboo has spent so much time in the corner with a dunce cap on his head that he’s struck up a friendship with the biology skeleton. He (She? They!) answer to Skelly – always ready with a crack-brained theory, wrong answer or best of all, a suggestion for fun and frolics…

Released in 1999, fourth collected album La Lutte des classes is another eclectic collation of classic clowning about that begins with another new term and Ducoboo doing his utmost to not be there by means of forged notes and silly comic excuses. However once remanded to his seat beside Leonie, his latest scheme unfolds as he seeks to convince her – and all concerned – that the bad boy is still absent and new girl Agatha Booducu is ready to be besties with the incumbent brainbox. As little miss Gratin is as smart as everyone thinks, it’s not long before the copying kid is exposed and extraordinary vengeance inflicted…

Leonie’s next seat sharer is tubby blonde new kid Ernest Finkle, but the enlightened lass is resolved to not fall for same trick twice. Poor, poor Ernest…

Tracing another year in the life of all concerned, the skiver’s antics to get illicit answers include feigning creating a philosophy of cribbing, Q-&-A psy-ops with Latouche, many planning sessions with Skelly, and puzzles that leave the teacher temporarily sectioned, and arrested as a serial killer, as well as a host of purpose-built copying gadgets which include ghost-radio channelling Albert Einstein and Beethoven, nanny-cam hats, wigs and worse. The champion cheat almost meets his match when Leonie gets a second copycat in noxious new boy Marcel Molasses and their battle for her intellectual favours assumes epic proportions.

The brief blessed interlude of Christmas offers little respite and one last Ducoboo “answers-please” assault, before a New Year’s resolution sparks an extended crisis. Fired by integrity, or perhaps playing a really long con game, the bratty boy refuses to copy any more, leaving Leonie isolated and desperate to make him cheat with her again…

Hostage-taking, sleight of hand, outright rebellion, time-bending and other small scams abound but never diminish the barrage of tests, questions, times tables demonstrations and lines given. Even magical interference by a misplaced Genie of the Pencil Sharpener who swaps his body with Leonie’s can’t really add to the anarchy and catastrophe of the average school day…

Somehow, everyone lives to the end of another year and vacation time beckons, but even here poor Latouche cannot escape the effects of his most difficult pupil. Unbeknownst to all the entire cast have decide to vacation at sunny Breeze-on-Sea, where apparently, our copycat kid can’t stop himself doing exactly what little Leonie does…

Despite the accidental and innocent tones of stalking and potential future abuse, these yarns are wry, witty and whimsical: deftly recycling adored perennial childhood themes. Ducuboo is an up-tempo, upbeat addition to the genre every parent or pupil can appreciate and enjoy. If your kids aren’t back from – or to – school quite yet, why not try keeping them occupied with The Class Struggle, and calmly give thanks that there are kids far more demanding than even yours…
© Les Editions du Lombard (Dargaud- Lombard) 1999 by Godi & Zidrou. English translation © 2010 Cinebook Ltd.

Yakari and the Pronghorns (volume 22)


By Derib & Job, coloured by Dominique and translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-80044-144-6 (Album PB/Digital edition)

Win’s Christmas Gift Recommendation: A World We All Want … 9/10

In 1964 children’s magazine Le Crapaud à lunettes was founded by Swiss journalist André Jobin, who then wrote for it under the pseudonym Job. Three years later, he hired Franco-Swiss artist Claude de Ribaupierre AKA “Derib”. The illustrator had launched his own career as an assistant at Studio Peyo (home of Les Schtroumpfs): working on The Smurfs strips for venerable weekly Le Journal de Spirou. Thereafter, together they created the splendid Adventures of the Owl Pythagore before striking pure comics gold a few years later with their next collaboration.

Derib – equally au fait with enticing, comically dynamic “Marcinelle” cartoon style yarns and devastatingly compelling meta-realistic action illustrated action epics – went on to become one of the Continent’s most prolific and revered creators. It’s a crime such groundbreaking strips as Buddy Longway, Celui-qui-est-nà-deux-fois, Jo (first comic to deal with AIDS), Pour toi, Sandra and La Grande Saga Indienne haven’t been translated into English yet, but still we patiently wait in hope and anticipation…

Over decades, much of Derib’s stunning works have featured his beloved Western themes: magnificent geographical backdrops and epic landscapes. Yakari is considered by fans and critics to be the strip which led him to his deserved mega-stardom. Debuting in 1969, self-contained episodes trace the eventful, nomadic life of a young Oglala Lakota boy on the Great Plains, with stories set sometime after the introduction of horses (by colonising Conquistadores) but before the coming of modern Europeans.

The series – which also generated two separate animated TV series and a movie – has notched up 42 albums thus far: a testament to its evergreen vitality and brilliance of its creators, even though originator Job moved on and Frenchman Joris Chamblain took on the writing in 2016.

Abundant with gentle whimsy and heady compassion, Yakari’s life is a largely bucolic and happy existence: at one with nature and generally free from privation or strife. For the sake of dramatic delectation, however, the ever-changing seasons are punctuated with the odd crisis, generally resolved without fuss, fame or fanfare by a little lad who is smart and brave, and who can – thanks to a boon of his totem guide the Great Eagle – converse with animals…

In 1997, Yakari et Les Cornes fourchues became the 23rd European album, but as always, content and set-up are both stunningly simple and sublimely accessible, affording new readers total enjoyment with a minimum of familiarity or foreknowledge required…

It’s spring and everything is vivid and portentous. As Yakari and his pony Little Thunder frolic in the prairie grasses, they see old Quiet Rock fishing. As he’s nowhere near water and using a moccasin as bait, they simply have to know what he’s doing…

And thus begins the boy’s introduction to the wondrous prairie antelope called pronghorns. How different it might have all been if the magnificent curious beast had not spooked when the little human spoke in words a stag could understand?

As the creature bounds away, Yakari stumbles over well-hidden twin fawns – Topii and Tipoo – and meets their extremely protective new mother. By morning his bruises are healed and the deer are convinced Yakari is not a hunter seeking an easy meal, but they can’t afford to relax as wolves and coyotes are always near at this time of year…

With papa keeping vigil, boy and fawns bond, playing lots of reindeer games (sorry, couldn’t stop myself) but things get extremely serious when Yakari sees a plume of smoke. In a flash, everyone is fleeing a terrifying wildfire and the massive stampede racing ahead of it, and that’s when the boy realizes Topii is missing…

When the immediate danger subsides, boy and pony go looking for the kid, but nobody really expects a happy outcome. Thankfully, Topii has made a very useful friend in a sagacious, protective porcupine and Yakari is not the kind of boy to lose hope or stop until a job is done….

Yakari is one of the most unfailingly absorbing and entertaining all-ages strips ever conceived. It should be in every home, right next to Tintin, Uncle Scrooge, Asterix, Calvin and Hobbes and The Moomins. It’s never too late to start reading something wonderful, so why not get back to nature as soon as you can?
Original edition © Derib + Job – Editions du Lombard (Dargaud – Lombard s. a.) – 2000. All rights reserved. English translation 2024 © Cinebook Ltd.

The Dangerous Journey


By Tove Jansson, translated by Sophie  Hannah (Drawn & Quarterly/Enfant)
ISBN: 978-1-77046- (HB) eISBN: 978-1-77046-638-8

Win’s Christmas Gift Recommendation: Warm Storytelling for the Darkest Nights… 10/10

Tove Jansson was one of the greatest literary innovators and narrative pioneers of the 20th century: equally inspired in shaping words and making images to create whole worlds of wonder. She was especially expressive with basic components like pen and ink, manipulating slim economical lines and patterns to realise sublime realms of fascination, whilst her dexterity made simple forms into incredibly expressive and potent symbols and as this collection shows, so was her brother…

Tove Marika Jansson was born into an artistic, intellectual and rather bohemian Swedish family in Helsinki, Finland on August 9th 1914. Patriarch Viktor was a sculptor and mother Signe Hammarsten-Jansson a successful illustrator, graphic designer and commercial artist. Tove’s brothers Lars – AKA “Lasse” – and Per Olov became – respectively – an author/, cartoonist and art photographer. The family and its close intellectual, eccentric circle of friends seems to have been cast rather than born, with a witty play or challenging sitcom as the piece they were all destined to inhabit.

After extensive and intensive study (from 1930-1938 at the University College of Arts, Crafts and Design, Stockholm, the Graphic School of the Finnish Academy of Fine Arts and L’Ecole d’Adrien Holy and L’Ecole des Beaux-Arts, Paris), Tove became a successful exhibiting artist through the troubled period of the Second World War. Brilliantly creative across many fields, she published the first fantastic Moomins adventure in 1945. Småtrollen och den stora översvämningen (The Little Trolls and the Great Flood or latterly and more euphoniously The Moomins and the Great Flood) was a whimsical epic of gently inclusive, acceptingly understanding, bohemian misfit trolls and their rather odd friends…

A youthful over-achiever, from 1930-1953 Tove had worked as an illustrator and cartoonist for the Swedish satirical magazine Garm: achieving some measure of notoriety with an infamous political sketch of Hitler in nappies that lampooned the Appeasement policies of European leaders in the build-up to WWII. She was also an in-demand illustrator for many magazines and children’s books, and had started selling comic strips as early as 1929.

Moomintroll was her signature character. Literally.

The lumpy, gently adventurous big-eyed romantic goof began life as a spindly sigil next to her name in her political works. She called him “Snork” and claimed she had designed him in a fit of pique as a child – the ugliest thing a precocious little girl could imagine – as a response to losing an argument with her brother about Immanuel Kant.

The term “Moomin” came from her maternal uncle Einar Hammarsten who attempted to stop her pilfering food when she visited, warning her that a Moomintroll guarded the kitchen, creeping up on trespassers and breathing cold air down their necks. Snork/Moomin filled out, became timidly nicer – if a little clingy and insecure – acting as a placid therapy-tool to counteract the grimness of the post-war world.

The Moomins and the Great Flood didn’t make much of an initial impact but Jansson persisted, probably as much for her own edification as any other reason, and in 1946 second book Kometjakten (Comet in Moominland) was published. Many commentators believe the terrifying tale a skilfully compelling allegory of Nuclear Armageddon. You should read it now… while you still can. When it and third illustrated novel Trollkarlens hatt (1948, Finn Family Moomintroll or sometimes The Happy Moomins) were translated into English in 1952 to great acclaim, it prompted British publishing giant Associated Press to commission a newspaper strip about her seductively sweet and sensibly surreal creations.

Jansson had no misgivings or prejudices about strip cartoons and had already adapted Comet in Moominland for Swedish/Finnish paper Ny Tid. Mumintrollet och jordens undergäng Moomintrolls and the End of the World – was a popular feature so Jansson readily accepted the chance to extend her eclectic family across the world. In 1953, The London Evening News began the first of 21 Moomin strip sagas which promptly captivated readers of all ages. Jansson’s involvement in the cartoon feature ended in 1959, a casualty of its own success and a punishing publication schedule. So great was the strain that towards the end she recruited brother Lars to help. He took over, continuing the feature until its end in 1975.

Liberated from the strip’s pressures, Tove returned to painting, writing and other creative pursuits: generating plays, murals, public art, stage designs, costumes for dramas and ballets, a Moomin opera and 9 more Moomin-related picture-books and novels, as well as 13 books and short-story collections strictly for grown-ups.

Tove Jansson died on June 27th 2001. Her awards are too numerous to mention, but just think: how many artists get their faces on the national currency?

Whenever such a creative force passes on, the greatest tragedy is that there will be no more marvels and masterpieces. Happily, so tirelessly prolific was Tove that her apparently endless bounty left plenty of material for later creators and collaborators to pick over. One such example is this stunning children’s rhyming picture book, part of a series using her characters.

In a wonderfully peaceful place, there’s a girl called Susanna and a cat. Life is pretty idyllic but the brooding human wants action, not contentment…

When she makes an unwise move near the napping moggy, it precipitates a strange event, and a lengthy, laborious trek by many modes of transport through strange lands, supplying all the adventure a girl could ask for. Thankfully, there are some oddly familiar and exceedingly helpful characters heading in the same approximate direction…

Finished in 1970, this metaphysically moody and marvellous allegorical meandering was Jansson’s last picture book for kids, as she graduated to even darker themes addressing mature issues. As a narrative it is utterly compelling, and, for an example of kids’ doggerel, translator Sophie Hannah keeps the rhythm and rationale rolling along with exemplary invention.

Witty, thrilling and disturbingly lovely in dark ways The Dangerous Journey is every youngster’s perfect introduction to sequential narratives, and a beguiling reminder to oldsters why we love them…

Entire contents © Tove Jansson, 1970 Moomin Characters™. Translation © 2010, 2018 Sophie Hannah. All rights reserved.

Dracula Marries Frankenstein! – An Anne of Green Bagels Story


By Susan Schade & Jon Buller (Papercutz)
ISBN: 978-1-62991-815-0 (TPB)

Papercutz are a company committed to publishing comics material for younger readers, combining licensed properties such as Asterix, The Smurfs and Nancy Drew with intriguing and compelling new concepts such as The Wendy Project and this tasty tantalising gem, a tried and true Halloween treat.

In her first adventure – where she found her long-missing dad – Anne Blossom and her family moved to the sleekly antiseptic metropolis and model community of Megatown. It was initially an uncomfortable fit. On her first day at school the other kids dubbed her “Anne of Green Bagels” because of the health-food spirulina lunch her grandmother had baked…

Eventually, however, she settled in, the town grew more human, and she made some friends. In this follow-up tale Anne and one of those pals – Otto Immaculata – decide to make a movie and, being fans of spooky stories, opt for a thriller-feature starring Frankenstein and Dracula.

As is always the way in these ventures, whilst scouting shooting venues, the plot evolves and by the time they have convinced the exceedingly eccentric owner of gothic mansion Herringbone Hall (which actually predates the entire city of Megatown) the project has morphed into a romcom tentatively entitled Dracula Marries Frankenstein

The project proceeds apace, but when the usually sweet dowager Augusta Herringbone realises the kids are contemplating and condoning “same-sex marriage” she reacts in a most peculiar and astounding manner!

Moreover, when her over-the-top response goes viral, Herringbone Hall suddenly catches fire! Has the kid’s innocent summer-fun project unleashed a wave of hatred and intolerance in Megatown, or is there an even more incredible secret to be exposed? Maybe this ill-starred tale is a horror story after all…

Smart, funny and warmly inclusive whilst tackling adult issues in an accessible manner, Dracula Marries Frankenstein melds mystery, laughs and adventure in the grand style, all delivered by creative – and wedded – couple Susan Schade & Jon Buller in their hybrid graphic novel; alternating illustrated text chapters with cartoon strip episodes, in the manner & format of our own, equally alternatively life-stylish Rupert Bear Annuals.

An excellent and eminently re-readable children’s romp for modern times and forward-thinking families.
© 2017 Susan Schade & Jon Buller.

Tosh’s Island

Version 1.0.0

By Linda Sargent, Joe Brady & Leo Marcell, adapted by Kate Brown (David Fickling Books)
ISBN: 978-1-78845-333-2 (Digest HB)

Win’s Christmas Gift Recommendation: Powerful, Moving and Memorable… 9/10

British comics’ triumph The Phoenix has been generating fun, fantasy and wild adventure for kids since 2012, scoring some impressive results – such as Bunny Vs Monkey, Mega Robo Bros and No Country – and generally lifting the standards of comics literature and quality of graphic novels for children.

Now, thanks to writers Linda Sargent (drawing on her own childhood experiences) & Joe Brady, and illustrator Leo Marcell, the comic periodical has developed a far more traditional kind of children’s drama: one that should rank beside such potent “real-world” fantasies as A Dog So Small, The Family from One End Street or The Secret Garden.

Tosh’s Island is set in bucolic Kent hops country in the era between the end of rationing and advent of mobile phones, and follows the decline and resurgence of an indomitable spirit coming to terms with the cruellest and most unjust of circumstances.

It begins as Tosh is getting ready for secondary school: helping dad ready the hops and prepare the Oast House for Autumn and having him tell again the story of her being The Gooseberry Girl found under a bush. It’s much better than the ordinary story of how they adopted her. Tosh is fit and active and great at rounders, loves her bike, climbing with best friend Millie, and making up fantastic tales – especially about mermaids…

And suddenly, one afternoon it all starts to go wrong.

Slowly pain visits her, increasingly wracking her body and sucking all the energy out of her. The doctor thinks it’s nothing, but soon Tosh is constantly, chronically suffering. Not wanting to make a fuss, she soldiers on, but soon, it’s impossible to keep her suffering – and fears – secret. As big school starts, she finds everything harder, and old and new friends soon start talking about and taunting the troublesome attention-seeker.

Thankfully, her parents believe her, moving heaven and earth to get to the bottom of the mystery. There’s always hope of a recovery or at least end to pain, and treats like a visit to the beach. Here she meets a lonely French boy as forlorn as her – and as imaginative. Together they build a mind palace of refuge, an island for mermaids and shark rides and castles in the air. Corresponding with Louis will save Tosh’s sanity, but only after inadvertently causing her immense grief and embarrassment…

The mystery and misery continue until at last the right diagnosis and even treatment is found, but it certainly not all good news…

A forceful and evocative personal history of fortitude and resolve mesmerisingly clad in whimsy, charm and beguiling imagination, Tosh’s Island is a brilliant introduction to real world problems any kid can grasp and be moved by, in exactly the way books like Animal Farm, Tarka the Otter or Lord of the Flies negotiate the transition from sheltered child to understanding proto adult… and all in utterly entrancing pictures.

Do not miss this landmark tale.
Text © Linda Sargent & Joe Brady, 2024. Illustrations © Leo Marcell, 2024. All rights reserved.

Tosh’s Island will be published on October 10th 2024 and is available for pre-order now.

Bunny vs Monkey Book 10: The Great Big Glitch!


By Jamie Smart, with Sammy Borras & Paul Duffield (David Fickling Books)
ISBN: 978-1-78845-308-0 (Digest HB)

Win’s Christmas Gift Recommendation: Because… Just Because… 10/10

Bunny vs Monkey has been the inspirationally bonkers breakout star of The Phoenix since the first issue in 2012: recounting a madcap vendetta gripping animal archenemies set amidst an idyllic arcadia, masquerading as more-or-less mundane but critically endangered English woodlands. Concocted with gleefully gusto – but increasingly with cerebral cosmic crescendo in mind – by cartoonist/comics artist/novelist Jamie Smart (Fish Head Steve!; Looshkin; Max and Chaffy, Flember), these trendsetting, mind-bending yarns have been wisely retooled as best-selling, graphic albums available in remastered, double-length digest softcover and hardback editions such as this one. All the tail-biting tension and animal argy-bargy began yonks ago after an obnoxious little beast plopped down in after a disastrous British space shot. OR DID IT?

Crashlanding in Crinkle Woods – scant miles from his launch site – lab animal Monkey believed himself the rightful owner of a strange new world, despite every effort of genteel, contemplative, reasonably sensible forest resident Bunny to dissuade him. For all his patience, propriety and good breeding, the laid-back lepine could not contain or control the incorrigible idiot ape, who to this moment remains a rude, troublemaking, chaos-creating, noise-loving lout intent on building his perfect “Monkeyopia” and/or being a robot, with or without the aid of evil supergenius Skunky or “henches” Metal Steve and Action Beaver

Daily wonders and catastrophes were exacerbated by a broad band of unconventional Crinkle creatures, none more so than monochrome mad scientist Skunky, whose intellect and cavalier attitude to life presents as a propensity for building dangerous robots, bio-beasts and sundry other super-weapons. He is, at his core, a dangerously inquisitive thinker and tinkerer…

Here – with artistic assistance from design deputy Sammy Borras – the war of nerves and mega-ordnances resumes and culminates, even though everybody thought all the battles had already ended. We even seemingly explain the odd behaviour of intermittently encroaching Hoo-mans

Once again divided into seasonal outbursts – OR IS IT? – this tenth magnificent hardback archive asylum of weirdness opens in traditional manner: with our lop-eared protagonist snug at home amidst winter snows as incurable innocent Pig Piggerton comes frantically calling. It appears his woodlouse pet ‘Mister Bum Bum’ is in dire need of it to be warm and summery.

Thankfully, after a recent return from the Puddle of Eternity (thanks to a fluke of the Molecular Stream) Bunny is now completely connected to nature and able to manifest a small patch of magic sunshine. When Monkey turns up in another death-machine, it is Pig who actually saves the day…

The hairy halfwit (I’m being generous here) is mad and manic as ever, unleashing ICBM ‘Wieners!’, and ‘Shark Attack’ cannonades the largely shellshocked populace (superfast Aye-aye Ai, Weenie Squirrel, Metal E.V.E., Lucky the Red Panda, mysterious Le Fox and the rest) all try to ignore, but as ‘Doctor Pig’ seeks to help the hopeless with a brand new therapy recently discovered, deep underground Monkey & Skunky experience something strange and start to suspect every they know might be wrong after feeling the force of ‘The Glitch’

The skunk knows all about “Simulation Theory” even if you and I don’t, and makes some plans. Elsewhere, Hoo-man Toby and faithful assistant Alice finally admit there’s something deeply wrong in their system and start looking for answers by resetting the year back to January again – OR DO THEY…?

In Crinkle Woods, life manically meanders on with mad inventions and fantastically odd food fomenting foolishness in ‘Un-Lucky’, ‘Pug of Dooom!’, ‘Piggy Pog Pog’, on a culinary ‘Journey for the Wobbleberries’, and in clash of escalating titans ‘Big Me’. Anarchy reigns when Monkey’s ‘Bloblems’ and ravaging ‘Jelly Plops’ threaten, but no one really grasps what it all means until ‘The Second Glitch’

With Toby now fatally intwined and connected to the Crinkle critters in ways he cannot fathom, and which restarting the year won’t fix, a rash of irrationality – even by Woodland standards – ensues in ‘Roll ‘em Up!’ and ‘Mine’. Toby’s fate is sealed when he inserts himself into the world of ‘Weirdos’ and he gets stuck there – OR DOES HE?

Even sensible, naïve robot Metal E.V.E. doesn’t believe the Hoo-Man is just a park warden and all too soon he is both appalled spectator and collateral casualty in spiralling strangeness as seen in ‘When in Rome’, ‘Extreeeeme!’ (debuting social media manipulator/teen Hyee-Hee-Heena Pootle B. Thunderbum to the menagerie) or ‘And Now, a Special Presentation’. Such ‘Warning Signs’ are useful to Skunky who instinctively understands what’s really going on. As Toby continues searching for his glitch – only stopping for ‘Biscuits’ – our lax lepine steps up as a problem-solving ‘Magic Bunny’, prompting a woodlands ‘Pause!’ as Skunky takes control.

Experiencing rather disturbing ‘Deja Vu’, some sort of truth unfolds in ‘The Story So Far’, delivering revelation and ‘An Escape’ as Skunky crafts a figurative shark just to jump it and enter the fabled ‘Land of the Hoo-Mans’, bringing the rest with him to help and hinder his acquiring ‘Stolen Tech’.

…and then all the critters get ‘Upgrades’

With Bunny a magical Guardian of the Woodlands, Monkey a robot and his chief hench turned into an Action Cow, ‘Beefy Squirrel’ uses her new physique and superstrength to save Pig as metamorphic ‘Module Madness’ grips the critter cast. She needn’t have fussed, as her pal becomes super-secret agent ‘Codename P.I.G.’ to counter the chaos.

Deep below Crinkle Woods, the King of the Undercreatures craves ‘Yum Yums’ and strikes a shady deal with one stalwart supposed hero, sparking a fearsome clash with terror-beast Boggoth on ‘Fight Night’, and another between upgraded stars in ‘Bunny vs Monkey’. It swiftly draws in Beefy Squirrell for ‘Surf’s Up!’, before cosmically unfortunate red panda Lucky is convinced to try ‘Just One Wish’ on the troublesome upgrade module.

Metal E.V.E. evaluates the merits of change in ‘Transform!’, leading to Skunky’s ascension as ‘The Architect’ of reality and rueful admission ‘That Escalated Quickly’. Finally, magic Bunny and compelling, morally ambiguous outsider refusenik Le Fox unite to confront ‘The Omnipresent Skunky’ and battle beside everyone left ‘All in This Together’, before even greater revelations are exposed and calm(ish) order is restored with all ‘Finally Happy’, despite it being – just for a bit – ‘Metal Steve’s World’ and an ephemeral plane of ‘The Endless’ only truly sorted and made wonderfully again thanks to Bunny in ‘The Release’.

There’s also ‘An Epilogue’ with Le Fox explaining things, but unless you’re as smart and fun-loving as your kids, it won’t do you adults any good…

The agonised, anxiety-addled animal anarchy might have ended for now, but there’s a few more secrets to expose, thanks to detailed instructions on ‘How to Draw Wizard Bunny!’, ‘…Buff Weinie!’ and ‘…Action Cow!’, as well as previews of other treats and wonders available in The Phoenix to wind down from all that cosmic furore…

Another book for your kids to explain to you, the zany zenith of absurdist adventure, Bunny vs Monkey is weird wit, brilliant invention, potent sentiment and superb cartooning all crammed into one eccentrically excellent package. These tails never fail to deliver jubilant joy for grown-ups of every vintage, even those who claim they only get it for their kids. Is that you?

Text and illustrations © Fumboo Ltd. 2024. All rights reserved.
Bunny vs Monkey: The Great Big Glitch! is published on October 10th 2024 and available for pre-order now.

Everything’s Coming Up Beatrix – A Breaking Cat News Adventure (volume 6)


By Georgia Dunn (Andrews McMeel)
ISBN: 978-1-52487-974-7 (PB) eISBN: 978-1-5248-9062-6

Win’s Christmas Gift Recommendation: Categorically Unmissable… 9/10

There’s a burgeoning trend amongst certain men – mostly loitering on the internet – to think their threat of replacing women they can’t “get” with sex-bots that don’t exist is in some way a deterrent to being turned down by people they don’t have the ability to ask nicely in the first place. These uncouth, mis-evolved oafs also warn that if the “females” don’t wise up and lower their standards they will be stuck with living with cats…

Guys – and I’m using the term in the least pejorative manner I can muster – wise up, yourselves. Neither of those propositions are unwelcome outcomes. Cats already rule the world and you just can’t compete.

On any level.

In 2016, illustrator and cartoonist Georgia Dunn found a way to make her hairy housemates (the ones with more than two feet) earn their keep after watching them converge on a domestic accident and inquisitively, interminably poke their whiskery little snouts into the mess. That incident led to Breaking Cat News: a hilariously beguiling webcomic detailing how her forthright felines operate their own on-the-spot news-team, with studio anchor Lupin, and field reporters Elvis (investigative) and Puck (commentary) delivering around-the-clock reports on the events that really resonate with cats – because, after all, who else matters?

On March 27th 2017, a suitably modified (for which read fully redrawn and recoloured) version began newspaper syndication, alternating with new material designed expressly for print consumption. As the strip and cast grew, print publication led to books like these – also a far more enticing prospect than any night out with the boys…

If you’re a returning customer or already follow the strip, you’re au fait with a constantly expanding cast and ceaselessly surreal absurdity, but this stuff is so welcoming, even the merest neophyte can jump right in with no confusion… other than that which is intentional…

Be warned though, Dunn is a master of emotional manipulation and never afraid to tug heartstrings. Always keep hankies close. You too, lads…

In this volume, the strip’s spookier whimsy-corners are revisited, and the year’s seasonal markers (a mainstay of most newspaper comic strips for more than a century) are gleefully addressed as the news-mews crew and other occupants of the ancient (by US standards!) house pop up in short gags and extended serial dramas, beginning with a passionate yet hilarious cartoon polemic encouraging everyone to defend libraries, librarians and reading itself in today’s dangerously post-literate America.

Returning to episodic riffs in celebration of ‘Fuzzy Blanket Season’, we see the Dunn’s toddler – under the guidance of the scoop-starved kitties – cope with the loss of plushy pal Pengo. His return from the washing machine leads to learning all about the dangers of peanut butter before the felines face another crunchy leaf crisis and anticipate impending Halloween treats through the eyes of the new baby.

The jaded kitties clue in viewers to the best comestibles, carry on the search for legendary cryptid “The mailman” and celebrate the joyous resurrection of ‘The Space Heater’, with a “camp in” and some scary tales…

An extended frightening yarn – which does end happily, my nervous darlings – finds three-legged Puck indulge his passion for climbing and get lost in the house’s superstructure. When he is in danger of suffocating, ghosts of previous pets and the old lady who originally owned the place augment the frantic, still-breathing searchers…

The story of the were-floof segues into more spectral surprises – such as the advent of Count Puckula – before order of a catly kind is ultimately restored, leading to riffs on feline trophy-taking, coiffure gaffes and monsters under beds. When  Christmas and New Year’s come, the cats are ready even if The People aren’t, and no decoration or fancy edible is safe. At least wrapping paper is a gift that keeps on giving and giving and giving and…

January sees a big expose on ‘Shelves, the Silent Killer’, more “facts” about snow – and groundhogs – as well as sweaters, colds, why the People bathe, and contagious cat clumsiness. Food items are always newsworthy, and a protracted debate on the point of lettuce leads to fun with temporary foster kitten and agent of chaos Beatrix

Time marches on to St. Patrick’s Day, which is co-opted by adherents of feline patron saint St. Gertude to launch new holiday ‘St. Catty’s Day’, complete with a bundle of new traditions. Eating corned beef might not make the final cut, though…

Another high point comes with the launch of affiliate BCW, but is the world ready for Best Cat Wrestling and glam-costumed kitty luchadores? If not there’s always cake and reading. That’s what new cat Sophie prefers, much to outside cat Tommy’s disappointment. It almost makes up for The Woman running out of coffee and English period detective dramas.

By the time Peep Toad season starts, Beatrix is moving on to her forever home – a book shop – and social media goes into  underdrive. At least old pals like the “gypsy” cats are happy to provide entertainment to the news-starved, and there is always cat yoga, home-tanning, sock-hunting, new toys to review and the start of baseball season…

As always Rolling News episodes revisit favourite themes like things that don’t need to be on shelves, climbing into bags, kibble, packaging helping The People eat, sleep and exercise…

Closing festivities is another selection of activity pages considered as Breaking Cat News: More to Explore providing full painted and fully-detailed tips and plans on how to ‘Make your own Bookmarks!’, ‘Make a Little Book!’ and ‘Build a Reading Fort!’

Outrageous, alarming, extra-especially courageous and always charming – and certainly often far too autobiographical for comfort – the romps, riffs and occasional sad bits about a fully integrated multi-species family is a growing necessity of life for many folk – just like most men simply Are Not. Smart, witty, imaginative and deliciously whimsical, Breaking Cat News is fabulously funny, infinitely re-readable feel-good fun rendered with artistic elan and a light and breezy touch to delight not just us irredeemable cat-addicts but also anyone in dire need of a good laugh.
Everything’s Coming Up Beatrix © 2023 Georgia Dunn. All rights reserved.