By Fermín Solís, translated by Lawrence Schimel (SelfMadeHero)
ISBN: 978-1-910593-84-4 (PB)
The places and moments where great art intersects with mundane reality have always made for great storytelling, and that’s never been more deftly demonstrated than in this highly personal interpretation of a crucial moment in the history of 20th century cinema.
Luis Buñuel Portholés (February 22nd, 1900 – July 29th 1983) was a Spanish filmmaker who renounced his citizenship in favour of Mexico, and his catholic faith in favour of truth: an iconoclastic, moralistic thinker and revolutionary who embraced surrealist doctrine and reshaped the arts of filmmaking.
If you have the stomach and suitable respect for the medium, please view Un Chien Andalou, L’Age d’Or and That Obscure Object of Desire – if not all of his heady output – but probably best leave it until after reading this engaging visual introspection from award-winning cartoonist Fermín Solís Campos.
The self-taught cartoonist, animator and illustrator of such treats as Otra Vida and El Hombre del Perrito shares many similarities with his subject and a solid yet whimsical earthy touch that is perfect for this examination of a key moment in the celluloid auteur’s rocky progression from wunderkind to industry lynchpin.
‘Do Not Disturb! Artist Dreaming’ opens with Buñuel wracked by his usual night terrors of barnyard fowl, Christian iconography and talking wildlife before an old friend calls to inform him of a cash windfall. It’s the end of 1932 and old comrade Ramón Acin trails him through the seedy warrens of the city, carousing and pontificating on past glories before deducing ‘Paris no Longer Loves Us’. Are there no challenges left? Is surrealism no longer enough to challenge the world and outrage society?
‘Ten Hours from Paris’ and months later, they and a small crew are assessing one of the most poverty-stricken regions of Europe. A Spanish region wedded to faith but so poor that the residents have no conception of even basic foodstuffs like bread. As the bizarre villagers and their weird tortoise-like huts bore into Buñuel’s fevered subconsciousness, his creative dry spell vanishes. Inspired again, he carefully concocts Las Hurdes: Tierra Sin Pan (Land Without Bread) contravening all established rules and mores to create a new genre beyond simple documentary. Alternatively called ethnofiction, pseudo-documentary or cinema verité, its cost to veracity, human compassion and even simple morality might be too much to bear…
Challenging, compelling and utterly absorbing, Buñuel in the Labyrinth of the Turtles is a superb graphic assessment of the creative process that will surprise and delight in equal measure
© 2008, 2019 Fermín Solís. © 2019 Penguin Random House Grupo Editorial, S.A.U. All rights reserved.