Benny Breakiron volume 3: The Twelve Trials of Benny Breakiron


By Peyo, with Yvan Delporte & Walthéry, translated by Joe Johnson (Papercutz/NBM)
ISBN: 978-1-59707-492-6 (HB Album)

Pierre Culliford was born in Belgium in 1928 to a family of British origin living in the Schaerbeek district of Brussels. An admirer of the works of Hergé and American comics licensed to Le Journal de Mickey, Robinson and Hurrah!, he developed his own artistic skills but the war and family bereavement forced him to forgo further education and find work.

After time spent toiling as a cinema projectionist, in 1945 Culliford joined C.B.A. animation studios, where he met André Franquin, Morris and Eddy Paape. When the studio closed, he briefly studied at the Brussels Academy of Fine Arts before moving full-time into graphic advertising. In his spare time, he began submitting comic strips to the burgeoning post-war comics publishers.

His first sale was in April 1946: Pied-Tendre, a tale of American Indians in Riquet, the comics supplement to the daily L’Occident newspaper. Further sales to other venues followed and in 1952 his knight Johan found a permanent spot in Le Journal de Spirou. Retitled Johan et Pirlout, the strip prospered and in 1958 introduced a strange bunch of blue woodland gnomes to the tale. They were called Les Schtroumpfs.

Culliford – by now using nom de plume Peyo – would gradually turn those adorable little mites (known to us and most of the world as The Smurfs) into an all-encompassing global empire, but before being sucked onto that relentless treadmill, he still found time to create a few other noteworthy strips such as the titanic tyke on view here today.

In 1960, Benoît Brisefer – AKA Benedict Ironbreaker and/or (in Dutch) Steven Sterk – debuted in Le Journal de Spirou #1183 (December 1960). With a few slyly added tips of the hat to Siegel & Shuster’s Superman, the wryly bucolic adventures celebrated a small boy with superhuman strength living in a generally quiet and unassuming little Belgian town.

Quiet, well-mannered, gentle and a little lonely, Benny just happens to be the mightiest boy on Earth; able to crush steel in his tiny hands, leap huge distances and run faster than a racing car. He is also generally immune to all physical harm, but his fatal and rather ubiquitous weakness is that all his strength deserts him whenever he catches a cold…

Benny never tries to conceal his abilities but somehow no adults ever catch on. They generally think he’s telling fibs or boasting, and whenever he tries to prove he can bend steel in his hands, the unlucky lad gets another case of the galloping sniffles…

Most kids avoid him. It’s hard to make friends or play games when a minor kick can pop a football like a balloon and a shrug can topple trees…

Well-past-it Brits of my age and vintage might remember the character from weekly comics in the 1960’s. As Tammy Tuff – The Strongest Boy on Earth – and later as Benny Breakiron and Steven Strong – our beret-wearing champion appeared in Giggle and other periodicals from 1967 onwards.

With Peyo’s little blue cash-cows taking up ever larger amounts of his concentration and time, other members of his studio assumed greater responsibilities for Benoît as the years passed. Willy Maltaite (“Will”), Gos, Yvan Delporte, François Walthéry and Albert Blesteau all pitched in and Jean Roba created many eye-catching Spirou covers, but by 1978 the demands of the Smurfs were all-consuming and all the studio’s other strips were retired.

You can’t keep a good super-junior down, though, and after Peyo’s death in 1992, his son Thierry Culliford and cartoonist Pascal Garray revived the strip, adding six more volumes to the eight generated by Peyo and his team between 1960 and 1978.

Thanks to the efforts of US publisher Papercutz, the first four of those gloriously genteel and outrageously engaging power fantasies are available to English-language readers – both as robust full-colour hardbacks and as all-purpose eBooks – and this third exploit begins in the sedate city of Vivejoie-la-Grande, where the kid goes about his solitary life, doing good deeds in secret and being as good a boy as he can….

During the annual fair, his elderly friend Monsieur Dussiflard meets an old chum from their days in a jazz band. In the course of catching up, they learn that another mutual pal has become emir of an Arabian kingdom. Long ago, he gave the members of the band a charter granting them rights to a piece of desert… one that is now worth billions in oil revenues…

Back then, the comrades thought it hilarious to scrupulously divide the precious paper into nine parts, but none of them ever threw way their scrap…

As the adults chat and Benny listens, dark deeds are underway. Dussiflard’s home is burgled, triggering a frantic race around the world, with our heroes one step behind a cunning mastermind who will baulk at nothing to secure the entire document and the riches it promises…

All over the globe, Little Benny performs a succession of incredible feats – each one completely missed by Dussiflard and his beleaguered Jazz men – to stymie the malevolent schemer, before arriving home to deal the villain his just desserts…

Fast-paced, wry and sporting a fine eye for the dafter side of super-heroics, this is another fabulously winning fantasy about childhood validation and agency, providing a wealth of action, thrills and chortles for lovers of incredible adventure and comics excellence.
© Peyo™ 2013 – licensed through Lafig Belgium. English translation © 2013 by Papercutz. All rights reserved.